Doutorado em Estudos Linguísticos
URI Permanente para esta coleção
Nível: Doutorado
Ano de início: 2016
Conceito atual na CAPES: 4
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.135 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51).
Periodicidade de seleção: Anual
Área(s) de concentração: Teoria e Análise Linguística
Url do curso: https://linguistica.ufes.br/pt-br/pos-graduacao/PPGEL/detalhes-do-curso?id=1511
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- ItemAnálise variável dos róticos em Ibitiruí, Alfredo Chaves/ES: uma marca afetiva do “Engano”(Universidade Federal do Espírito Santo, 2025-10-23) Fiorin, Márcio Favero; Co-orientador1; https://orcid.org/; https://buscatextual.cnpq.br/; Orientador1; https://orcid.org/; https://buscatextual.cnpq.br/; https://orcid.org/; https://buscatextual.cnpq.br/; 1º membro da banca; https://orcid.org/; https://buscatextual.cnpq.br/; 2º membro da banca; https://orcid.org/; https://buscatextual.cnpq.br/; 3º membro da banca; https://orcid.org/; https://buscatextual.cnpq.br/; 4º membro da banca; https://orcid.org/; https://buscatextual.cnpq.br/This study investigates the effects of linguistic contact between Brazilian Portuguese and the Venetian language in communities of descendants of Italian immigrants in the state of Espírito Santo, Brazil, with a specific focus on the variation of rhotics in Ibitiruí, a district of the municipality of Alfredo Chaves. Italian immigration, which began in the late nineteenth century, brought to the state a population largely originating from the Veneto region, a province in northern Italy, whose language has been maintained across generations as an affective heritage and a symbol of identity in contexts of asymmetric bilingualism. Although Venetian has declined in everyday use, especially among younger generations, it continues to play a relevant symbolic role, influencing local linguistic and sociocultural practices. The study is based on a corpus of eighteen sociolinguistic interviews, totaling nineteen informants, mostly members of the Ibitiruí community or individuals who have spent most of their lives there. The interviews were conducted in a semi-structured format and addressed topics related to life trajectories, cultural practices, community memory, and linguistic identity. The sample was stratified by sex, age group, and level of schooling, and the data were analyzed through two envelopes of variation: one reflecting the influence of the Venetian language, which includes realizations considered canonical in that language, and another without Venetian influence, associated with innovative variants or those more closely aligned with general trends in Portuguese. With regard to phonetic environments, the findings show that wordinitial position and, above all, intervocalic position—especially medial syllable coda—are the contexts that most favor the realization of traits associated with Venetian, such as the alveolar tap [ɾ] and, to a lesser extent, the alveolar trill [r]. In contrast, word-final syllable coda favors the emergence of aspirated variants and deletion, constituting a space of phonetic innovation in the local repertoire. The data were subjected to descriptive statistical analysis using the R platform (R Core Team, 2016) and complemented by a qualitative analysis grounded in the literature of Variationist Sociolinguistics (WEINREICH; LABOV; HERZOG, 2006; LABOV, 2008 [1972]), Language Contact (WEINREICH, 1970; FISHMAN, 1991; TRUDGILL, 1992; MONTRUL, 2013), and studies on rhotic variation in Brazilian Portuguese (CÂMARA JR., 1983; 1992; CALLOU; LEITE, 1996; 2004). The results indicate the predominance of the alveolar tap [ɾ] as the canonical form in the community, accounting for approximately 70% of occurrences, followed by the glottal fricative [h], the velar fricative [x], and deletion [Ø]. Due to its low frequency, the alveolar trill [r] was grouped with the tap for analytical purposes. In this sense, rhotic variation in Ibitiruí goes beyond a purely phonetic phenomenon, reflecting historical, social, and identity-related dynamics, and functioning as an affective marker of Engano. The study advances the hypotheses that: (i) phonetic environments that signal Venetian influence— especially word-initial position and medial syllable coda—tend to be evaluated negatively or stigmatized by younger speakers, albeit implicitly; and (ii) beyond schooling, extralinguistic factors such as the social status associated with Venetian-speaking groups play a central role in the process of heritage language shift and in the loss of its phonetic and phonological traits
- ItemIntertextualidade, referenciação, argumentação multimodal e humor em vídeo-memes da rede social TikTok(Universidade Federal do Espírito Santo, 2025-09-26) Lima, Aline Souza de; Souza Júnior, Rivaldo Capistrano de ; https://orcid.org/0000-0002-3731-7613; http://lattes.cnpq.br/7433150215859023; https://orcid.org/0000-0002-8492-9540; http://lattes.cnpq.br/0407298256550496; Oliveira, Mônica Lopes Smiderle; https://orcid.org/0000-0003-4973-7129; http://lattes.cnpq.br/6910760911003070; Casotti, Janayna Bertollo Cozer; https://orcid.org/0000-0001-7459-4268; http://lattes.cnpq.br/2272458406285160; Lima, Dean Guilherme Gonçalves; https://orcid.org/0000-0001-8520-8780; http://lattes.cnpq.br/9890884624525662; Chagas, Viktor Henrique Carneiro de Souza; https://orcid.org/0000-0002-1806-6062; http://lattes.cnpq.br/5832049847796420This paper focuses on the study of video memes circulated on the TikTok platform, emphasizing their intertextual, referential, multimodal, and humorous aspects, as well as their persuasive function in the digital context. The research questions guiding the study are: 1) in what ways do intertextual relationships and the referential activity of the imagistic discourse, objects (or referents) contribute to the production of humor and to multimodal argumentation in video memes on the TikTok social network? And 2) How does the humor effect produced guide the argumentative discourse in the video memes? The hypotheses proposed are: 1) intertextual relationships and the (re) construction of imagistic discourse objects significantly contribute to the production of humor, functioning as argumentative strategies in multimodal discourse; and 2) the humor present in these videos acts as an argumentative resource that directs the stance of the speaker, influencing the interpretation and adherence of the audience to the presented viewpoint. The general objective of the research is to investigate how intertextual relationships and the (re) construction of imagistic discourse objects occur in video memes on the TikTok platform, in order to understand the role of these elements in the production of humor and in multimodal argumentative orientation. The specific objectives are to verify the function of intertextuality in the construction of meaning in video memes; to describe, analyze, and interpret the imagistic discourse objects present in the videos; and to investigate how humor acts in defending viewpoints and in the constitution of multimodal argumentation. The study is based on the assumptions of Textual Linguistics (Koch, 2004; Cavalcante et al., 2019; Nobre, 2014; Carvalho, 2018), Multimodal Argumentation (Tseronis, 2020; Gonçalves-Segundo, 2020, 2021), studies on humor (Raskin, 1985; Raskin & Attardo, 1991; Propp, 1992), and studies on memes and digital culture (Shifman, 2014; Lima, 2019). This is descriptive research with a qualitative approach and interpretative basis. The corpus consists of ten video memes selected from the TikTok platform, chosen based on criteria of popularity, representativeness, and thematic diversity. The results obtained confirm the research hypotheses: the analyzed video memes utilize intertextual relationships and imagistic resources as fundamental elements in the construction of humor and the structuring of multimodal argumentation. Humor, far from being merely a strategy, plays a significant discursive function, acting as a persuasive strategy that influences the audience's reception and adherence to the viewpoints presented. It is concluded that video memes on TikTok, as a specific subtype of digital memes, are complex forms of digital discourse that articulate language, image, and sociocultural references to construct meanings and defend positions. Intertextuality and discourse objects function as semiotic operators that strengthen the argumentation and reveal the sophistication of texts in contemporary digital culture.
- ItemA análise da conversa e o debate político televisionado: contribuições para a compreensão do riso em interações no ambiente institucional(Universidade Federal do Espírito Santo, 2025-06-26) Reis, Márcio Cláudio dos ; Oliveira, Roberto Perobelli de; https://orcid.org/0000-0002-8130-1061; http://lattes.cnpq.br/9314830679981149; https://orcid.org/0000-0002-9587-3781; http://lattes.cnpq.br/5546918363821717; Tomazi, Micheline Mattedi; https://orcid.org/0000-0002-2246-7061; http://lattes.cnpq.br/4783716565631781; Damasceno, Gesieny Laurett Neves; https://orcid.org/0000-0001-6556-9968; http://lattes.cnpq.br/1635569588468079; Schröder, Ulrike Agathe; https://orcid.org/0000-0001-7764-7249; http://lattes.cnpq.br/0894459276304182; Nogueira, Mayara de Oliveira; https://orcid.org/0000-0003-2048-9088; http://lattes.cnpq.br/2011664722861211Televised Political Debate is an important event within the context of elections in Brazil. Among its main characteristics are its “intersection with televised media discourse” (Marques, 2017), the participants’ orientation toward confrontation and the spectacularization of the communicative act (Marques, 2017; Mapelli, 2010), and pre-established turn-taking rules, mutually agreed upon by the participants.This study aims to analyze laughter as “a socially organized and systematically produced activity” (Jefferson, Sacks, Schegloff, 1987), associated with emotional, epistemic, and deontic stances (Peräkylä & Sorjonen, 2013; Stevanovic & Peräkylä, 2014; Le Breton, 2019), in a televised political debate during the first round of Brazil’s 2022 presidential elections. It seeks to describe how laughter emerges and concludes as a constitutive part of participants’ actions within the interactional setting in which it occurs.To this end, the analysis focused on instances in which affiliative laughter—or “laughing with”—and non-affiliative laughter—or “laughing at” (Glenn, 2003; Strid & Cekaite, 2021)— emerged in the data. Moments were also observed in which laughter appeared disconnected from any laughable element produced before or after the turn in which it occurred-self-laughter that neither continues into a third turn nor relies on a previous one. In fact, laughter was directly related to collaborative actions, reprimands, face attacks, self-presentation, negative criticism, irony, and self-praise, among others. The data were generated on August 25, 2022, during a debate broadcast by TV Cultura, TV Bandeirantes, Folha de São Paulo, and UOL on their open TV channels as well as through their respective YouTube channels. The segmentation process involved downloading the video to a personal computer, segmenting it, and transcribing the data based on the Jefferson transcription system (Gago, 2002) and Mondada’s multimodal conventions (2018). Conversation Analysis serves as the theoretical framework guiding this analytical work (Sacks, Schegloff, Jefferson, 1974; Sidnell & Stivers, 2013)
- ItemRediscursivização de contos de Machado de Assis em sala de aula: experiências de leitura literária e autoria responsiva em ambientes digitais no ensino fundamental II(Universidade Federal do Espírito Santo, 2025-09-04) Holanda, Rogério Carvalho de; Vidon, Luciano Novaes; https://orcid.org/0000-0003-2231-6279; http://lattes.cnpq.br/3136561352267602; https://orcid.org/0000-0001-6306-9599; http://lattes.cnpq.br/6378473825732607; Riolo, Vivian Pinto; https://orcid.org/0000-0002-8115-2246; http://lattes.cnpq.br/4661658126855061; Casotti, Janayna Bertollo Cozer; https://orcid.org/0000-0001-7459-4268; http://lattes.cnpq.br/2272458406285160; Lima, Sandra Mara Moraes; https://orcid.org/0000-0002-2608-6653; http://lattes.cnpq.br/1759229357132295; Carvalho, Letícia Queiroz de; https://orcid.org/0000-0003-0519-6746; http://lattes.cnpq.br/2450281340934414This thesis investigates how the rediscursivization of Machado de Assis's short stories in multimodal discursive genres can contribute to transgressive teaching and to the critical and subjective learning of classic literary texts in the contemporary school context. It seeks to understand the role of the text producer in the digital age and its implications for the development of critical, participatory, and transformative readers. The research proposed practices of literary reading and rewriting in a digital environment, in which 8th-grade students produced new versions of Machado de Assis's short stories in formats such as fan fiction, podcasts, video minutes, audiobooks, and social media posts, promoting the circulation of these productions in digital culture. The study is grounded in the Bakhtin Circle's dialogic theory of language and Applied Linguistics, articulating the fields of literary literacy and digital literacies. From this perspective, it analyzes students' responsive authorship, the processes of meaning production, and the relationships between language, ideology, and technology in the school environment. Using a qualitative and narrative approach, the research values the teaching and student experience as a source of knowledge, understanding reading and writing as social and enunciative practices. The results demonstrate that the digital rediscursivization of Machado's short stories favors the updating of the classic text, the exercise of critical authorship, and the expansion of literary reading practices in schools, promoting a dialogical, ethical, and democratic linguistic education, sensitive to the plurality of voices and the languages of digital culture.
- ItemRediscursivização de contos de Machado de Assis em sala de aula: experiências de leitura literarária e autoria responsiva em ambientes digitais no ensino fundamental(Universidade Federal do Espírito Santo, 2025-09-04) Holanda, Rogério Carvalho de; Vidon, Luciano Novaes; https://orcid.org/0000-0003-2231-6279; http://lattes.cnpq.br/3136561352267602; https://orcid.org/0000-0001-6306-9599; http://lattes.cnpq.br/6378473825732607; Riolo, Vivian Pinto; https://orcid.org/0000-0002-8115-2246; http://lattes.cnpq.br/4661658126855061; Casotti, Janayna Bertollo Cozer; https://orcid.org/0000-0001-7459-4268; http://lattes.cnpq.br/2272458406285160; Lima, Sandra Mara Moraes; https://orcid.org/0000-0002-2608-6653; ttp://lattes.cnpq.br/1759229357132295; Carvalho, Letícia Queiroz de; https://orcid.org/0000-0003-0519-6746; http://lattes.cnpq.br/2450281340934414This thesis investigates how the rediscursivization of Machado de Assis's short stories in multimodal discursive genres can contribute to transgressive teaching and to the critical and subjective learning of classic literary texts in the contemporary school context. It seeks to understand the role of the text producer in the digital age and its implications for the development of critical, participatory, and transformative readers. The research proposed practices of literary reading and rewriting in a digital environment, in which 8th-grade students produced new versions of Machado de Assis's short stories in formats such as fan fiction, podcasts, video minutes, audiobooks, and social media posts, promoting the circulation of these productions in digital culture. The study is grounded in the Bakhtin Circle's dialogic theory of language and Applied Linguistics, articulating the fields of literary literacy and digital literacies. From this perspective, it analyzes students' responsive authorship, the processes of meaning production, and the relationships between language, ideology, and technology in the school environment. Using a qualitative and narrative approach, the research values the teaching and student experience as a source of knowledge, understanding reading and writing as social and enunciative practices. The results demonstrate that the digital rediscursivization of Machado's short stories favors the updating of the classic text, the exercise of critical authorship, and the expansion of literary reading practices in schools, promoting a dialogical, ethical, and democratic linguistic education, sensitive to the plurality of voices and the languages of digital culture.