Repositório UFES
Bem vindo ao Repositório UFES!
Comunidades
Selecione uma comunidade para navegar por suas coleções
Documentos Administrativos Documentos administrativos da UFES (Relatórios institucionais, Atos normativos, Resoluções, Portarias e etc)Livros Digitais Livros digitais "ebooks" (e-livros) publicados ou adquiridos pela UFESProdução Científica Produção científica e técnica da UFES, como Artigos, livros e capítulos, trabalhos apresentados em eventos, entrevistas, resenhas, traduções, patentes, cultivares, marcas, etc.Teses e Dissertações Teses e dissertações depositadas no repositório da UFESTrabalhos Acadêmicos Trabalhos acadêmicos de conclusão de curso (TCC) de graduação e pós-graduação lato sensu
Submissões Recentes
Item
Dinâmica dos corpos : estudo das relações formais entre as lagoas e o traçado urbano em Linhares
(Universidade Federal do Espírito Santo, 2025-02-25) Falcão, Zanandra; Botechia, Flávia Ribeiro; https://orcid.org/0000-0002-5919-532X; http://lattes.cnpq.br/3517861429639648; https://orcid.org/0009-0005-4654-6425; http://lattes.cnpq.br/7283566693765867; Jorge, Liziane de Oliveira ; https://orcid.org/0000-0002-2047-5906; http://lattes.cnpq.br/9337220113834468; Gimmler Netto, Maria Manoela; https://orcid.org/0000-0003-0045-8962; http://lattes.cnpq.br/3838957714431636
This dissertation examines the relationships between water bodies and cities through the lens of Urban Morphology, aiming to explore the "dynamics of bodies", that is, the processes shaping both water and physical bodies over time. The main objective is to identify the forms and relationships between lagoons and urban design in the municipality of Linhares, from 1950 to 2000. The study employs a descriptive and exploratory methodology, organized into four stages. The first stage involves an interdisciplinary literature review addressing the role of water bodies in urban settings, drawing on research from architecture and urbanism. The dissertation presents definitions of lagoons, informed by geography, limnology, and geomorphology. Additionally, it explores Urban Morphology, which serves as the theoretical foundation for examining physical bodies, urban design, and their formal relationships. The following stages are divided into three levels of analysis. The first level focuses on the lagoons and the territory of Linhares, defined by the municipality’s administrative boundaries. A historical analysis, based on documentary research, reveals how the terrain influences lagoon formation and shape, underscoring the connection between the territory and water bodies. Formal analysis includes creating maps, cartographies, and topographic profiles. Concurrently, the lagoons’ forms are analyzed using metrics such as size, shape, and classification, offering tools to understand their specificities and spatial relationships. The second level shifts to the District of Linhares, the most urbanized area of the municipality. It starts with a historical contextualization, incorporating textual, cartographic, and iconographic documentation. The formal analysis addresses the genesis of the urban grid, focusing on the initial settlement and its influence on the design, as well as the current form of the urban design. Next, the relationships between the urban design, terrain, and lagoons are examined, providing insights for the territorial analysis in the subsequent level. This stage involves collecting and organizing documentation, producing conjectural maps, and interpreting the findings within the theoretical framework. The third level centers on the Lagoa do Aviso as a key element, analyzing the formal relationships between the lagoon and the surrounding urban design over time. Graphical analysis, diagram production, and conjecture development are employed to study these relationships. This analysis reveals the impacts of urban growth, including a reduction in the lagoon’s area, changes to the terrain, and deformation of the urban design. These processes highlight the absence of adequate urban planning, along with weaknesses in environmental legislation and enforcement during the period studied. Through these stages, the dissertation aims to provide insights into the dynamics of bodies and contribute to the fields of architecture and urbanism by offering theoretical and methodological tools based on Urban Morphology. The work seeks to enhance discussions on the relationships between water bodies and urban environments, providing a deeper understanding of how cities and their water systems evolve over time
Item
Presença e representação dos povos indígenas na arte pública capixaba
(Universidade Federal do Espírito Santo, 2025-04-09) Oliveira, Jaqueline Torquatro de; Cirillo, Aparecido José; https://orcid.org/0000-0001-6864-3553; http://lattes.cnpq.br/6252535690546666; https://orcid.org/0009-0002-3914-1911; http://lattes.cnpq.br/2601386393048834; Frade, Isabela Nascimento; https://orcid.org/0000-0001-5224-6633; http://lattes.cnpq.br/0576968930348730; Araújo, Oriana Maria Duarte de; https://orcid.org/0009-0002-4957-0007; http://lattes.cnpq.br/7982763946400047
This dissertation, presented to the Graduate Program in Arts at UFES, aims to analyze the presence and modes of representation of various Indigenous ethnic groups in public art in Espírito Santo. The research investigates the arrival of Europeans in Latin America and the impacts of colonization and the actions of the Catholic Church, highlighting the processes of transculturation resulting from memoricide, genocide, and ethnocide. These factors contributed to the modification of cultural identity and the erasure of pre-Columbian Indigenous traditions. Furthermore, the study discusses how the development of art in Brazil, shaped by European influences, has affected society’s perception of Indigenous peoples. Since colonization, Indigenous individuals have been represented according to the imagination of European settlers and clergy, which has influenced how their identities have been constructed and disseminated in the public sphere. The research analyzed artworks present in public spaces in Espírito Santo, classifying them into categories such as Indianist, pre-Indigenist, Indigenist, and others, with the latter suggested for future investigations. The study covers Indigenous representations from the artistic period dominated by the Jesuits (1557–1759) to the presence of mythologized figures and allegories in neoclassical-style monuments that began to be incorporated into public spaces from 1868 onward. Finally, this dissertation proposes an in-depth analysis of these categories, seeking to break away from the hegemonic perspective that has dominated Brazilian art since colonization and to contribute to a critical reading of Indigenous representation in public art in Espírito Santo.
Item
Ata de reunião ordinária do CGGRCI 15/05/2025
(Diretoria de Governança, Controles Internos e Integridade, 2025-05-15) Comitê de Governança, Gestão de Riscos e Controles Internos
Ata de reunião ordinária do CGGRCI
Item
Tatuagem: uma linguagem corporal/visual
(Universidade Federal do Espírito Santo, 2024-10-31) Soares, Luan Daniel Coelho; Silva, Claudia Maria França da; https://orcid.org/0000-0001-6971-6363; http://lattes.cnpq.br/3462886315780014; https://orcid.org/0000-0001-8247-1313; http://lattes.cnpq.br/4812825240136075; Pfützenreuter, Edson do Prado; https://orcid.org/0000-0002-3331-3420; http://lattes.cnpq.br/2012558187992063; Mello, Júlia Almeida de; https://orcid.org/0000-0001-8454-2453; http://lattes.cnpq.br/2648924540669238
The presented research offers a comprehensive analysis of tattooing, exploring its evolution from an ancestral cultural expression to its incorporation into contemporary art and individual artistic practice. Tattooing is examined as a multifaceted phenomenon that reflects identity, history, and social transformations over time. Initially, tattooing is contextualized in its traditional role across various cultures, where it serves as a rite of passage, a status symbol, and a form of healing. The influence of European sailors and the subsequent marginalization of tattooing are discussed, as well as its forced and dehumanizing use during the Holocaust. The transition to contemporary art is marked by the redefinition of tattooing as a form of artistic expression, with artists exploring its possibilities in contexts of Body Art and bodily modifications. Wim Delvoye’s work “Tim” and Santiago Sierra’s interventions exemplify this phase, challenging notions of commercialization and objectification of the body. Finally, the research culminates with a personal reflection on the practice of tattooing as an artist and tattooist, highlighting the creation of works that utilize the aesthetics of tattooing to express individual memories and experiences. The project “192 Needles: Transversal Narratives” symbolizes this approach, transforming used tattoo needles into elements of an artistic installation that narrates personal and collective stories.
Item
RESOLUÇÃO CUN/UFES/Nº 137, DE 8 DE MAIO DE 2025
(2025-05-08) Conselho Universitário
Cria o Curso de Pós-graduação stricto sensu, em nível de Doutorado Acadêmico, em Engenharia Civil.