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A centralidade do violão de Guinga: tensões entre visualidade e audiotatilidade
(Universidade Federal do Espírito Santo, 2026-02-23) Chequetto, João Victor Castro; Costa, Fabiano Araújo; https://orcid.org/0000-0002-7386-3320; https://lattes.cnpq.br/7101979822731454; https://orcid.org/0009-0003-2047-1889; https://lattes.cnpq.br/2038489182825583; Silva, José Eduardo Costa; https://orcid.org/0000-0001-6160-0737; https://lattes.cnpq.br/8694174710192313; Ramalho, Celso Garcia de Araújo ; https://orcid.org/0000-0002-6213-2469; https://lattes.cnpq.br/8473628183943891
a mediological and cognitive perspective, centered on the Theory of Audiotactile Music (TMA). The research is grounded in the understanding of the guitar not merely as an instrument, but as an agent of a cognitive mediation that activates gestural and perceptual schemata responsible for compositional organization and musical discourse. Based on the distinction between visual and audiotactile regimes, we problematize the insufficiency of analytical approaches grounded exclusively in notation to account for creative practices rooted in bodily rationality and in phonography. The phonographic analysis of recordings representative of different phases of Guinga’s production made it possible to highlight the centrality of hand-shape configurations as “mental scores” and the recurrence of audiotactile patterns originating in Brazilian guitar practice. We demonstrate that the harmonic complexity of his work does not result from a simple transposition of procedures from erudite writing, but from an intricate elaboration of audiotactile processes, stabilized and transmitted through the technological mediation of recording. By reinterpreting the recurrent classification of his music as situated “between the popular and the classical” as an effect of distinct cognitive regimes, the research seeks to contribute to the expansion of musicological theoretical tools, pointing to the need for analytical models capable of integrating gesture, body, instrument, and phonography in the understanding of musical formativity.
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Um guia para a descrição de Kernels de tratamento para a terapia baseada em processos
(Universidade Federal do Espírito Santo, 2026-02-20) Ferreira, Daniel Dallapicola Teixeira; Alves, Diego Zílio; https://orcid.org/0000-0002-3506-7665; https://lattes.cnpq.br/8715210181570846; https://orcid.org/0009-0008-8615-7549; https://lattes.cnpq.br/7286672598072485; Cândido, Gabriel Vieira; https://orcid.org/0000-0002-3296-2664; https://lattes.cnpq.br/7951464101986207; Banaco, Roberto Alves; https://orcid.org/0000-0002-0619-338X; ttps://lattes.cnpq.br/3273490233134293
The paradigm of evidence-based practice in psychology presents critical limitations regarding (a) the diagnostic units used as an inferential basis, (b) the transition from empirical evidence to individual clinical decisions, and (c) the analytical granularity of investigations into interventions. One proposal to address these limitations is Process-Based Therapy (PBT), a scientific strategy that seeks to understand and modify processes of change on a case-by case basis, guiding interventions through treatment kernels. However, the notion of the "kernel" remains diffuse and limited in literature, leading to inaccuracies regarding the essential elements for its characterization as a unit of intervention. Given this conceptual gap, this dissertation aims to establish conceptual and structural criteria for characterizing treatment kernels and propose a structured description guide grounded in the strategic pillars of PBT. To this end, an exploratory analysis of the literature was conducted, selected based on relevance criteria and systematized through a tagging scheme. This approach allowed for the consolidation of the strategic pillars of PBT, advancement in the conceptual and structural delimitation of kernels, and the provision of a description guide that facilitates their characterization and practical replication.
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Tempo e escuta na música de William Basinski
(Universidade Federal do Espírito Santo, 2026-02-20) Monte, Gilmar Antonio; Silva, José Eduardo Costa; https://orcid.org/0000-0001-6160-0737; https://lattes.cnpq.br/8694174710192313; https://orcid.org/0009-0004-7792-8373; https://lattes.cnpq.br/6272862176027031; Tápia, Daniel; https://orcid.org/0000-0002-3649-6197; https://lattes.cnpq.br/4936501035003683; Simões, Renan Colombo; https://orcid.org/0000-0003-4478-2027; https://lattes.cnpq.br/3866164200404170
This study investigates the music of William Basinski through a phenomenological approach, drawing on Martin Heidegger’s reflections on time and being. The research departs from the hypothesis that Basinski’s work establishes a singular experience of temporality and listening, in which hypnotic repetition and sonic degradation transcend everyday chronological perception and lead the listener into a temporal field where past, present, and future coexist. The analysis examines how the use of degraded magnetic tape loops, a central element of Basinski’s poetics, reshapes the relationship between sound, memory, and transience, creating a sonic space that unveils the fragility of existence. The study focuses on three representative works: Disintegration Loop 1.1, Cascade, and Tear Vial, providing phenomenological descriptions of the sonic elements that structure their temporalities. It observes how processes of repetition, stability, and deterioration establish modes of listening that surpass mere passive hearing, approaching Heidegger’s notion of ontological time. The dissertation is organized into three chapters. The first presents the theoretical foundations, outlining the distinction between ontological and ontic time and discussing the concept of mousiké as a manifestation of the lógos of being. The second chapter offers phenomenological descriptions of the selected works, highlighting their temporal layers and the ways in which the materiality of the recordings shapes the perception of duration and memory. The third chapter synthesizes the findings, emphasizing how Basinski’s music not only reflects but transforms the perception of time and existence. By articulating the listening experience of Basinski’s works with Heideggerian ontology, this study seeks to broaden the understanding of music as a temporal and existential phenomenon, revealing its capacity to generate new forms of experience and modes of unveiling of being.
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Accounting fraud and the relevance of corporate information for investors
(Universidade Federal do Espírito Santo, 2026-03-11) Pain, Patrícia; Marques, Vagner Antônio; https://orcid.org/0000-0001-7210-4552; https://lattes.cnpq.br/8704491263853222; https://orcid.org/0000-0002-0660-226X; http://lattes.cnpq.br/; Macedo, Marcelo Álvaro da Silva; https://orcid.org/0000-0003-2071-8661; https://lattes.cnpq.br/4195343422847965; Martins, Vinícius Gomes; https://orcid.org/0000-0001-7401-9570; http://lattes.cnpq.br/; Aguiar, Andson Braga de; https://orcid.org/0000-0003-4034-4134; https://lattes.cnpq.br/8776692303907234; Girão, Luiz Felipe de Araújo Pontes; https://orcid.org/0000-0002-3639-7340; https://lattes.cnpq.br/2715807534082309
This doctoral dissertation examines how the publicization of accounting fraud affects the informational relevance of corporate disclosures for investors. Integrating agency theory and the efficient market hypothesis (EMH) with behavioral finance perspectives, particularly mosaic theory, limited attention theory, and dual-process theory, the study conceptualizes accounting fraud as a credibility shock that disrupts the agency contract, alters the price formation pro cess, and reshapes how investors reconstruct firm value. While EMH predicts price adjustments following new information, this dissertation argues that accounting fraud disclosure does more than trigger immediate returns, it intensifies investors’ demand for verification, monitoring, and reinterpretation of subsequent disclosures, thereby increasing overall informational relevance. However, this increase is asymmetrically distributed across investor types. The dissertation comprises three complementary papers. The first paper presents a systematic literature re view (from 2000 to 2024), synthesizing evidence on investor reactions to fraud disclosure and identifying a gap regarding how credibility shocks reshape the process of information integra tion across heterogeneous investors. The second paper provides archival market-level evidence consistent with agency theory and EMH, showing that fraud represents a rupture in the infor mational contract between managers and shareholders. Following accounting fraud disclosure, investors intensify monitoring (reflected in abnormal trading volume and liquidity measures) and react more strongly to new financial disclosures, yet apply persistent valuation discounts. These findings indicate that disclosure relevance increases even though credibility is not fully restored, revealing that market efficiency operates through heightened scrutiny rather than blind incorporation. Building on this market-level trigger, the third paper shifts the analysis to the investor level. Grounded in mosaic theory, it argues that fraud disrupts the informational mosaic previously used to value the firm, requiring reconstruction through greater reliance on assurance, governance, and verification signals. A Delphi study with professional investors (PI) demonstrates that they recalibrate their informational priorities post-accounting fraud, expanding their mosaics and intensifying analytical monitoring. In contrast, an experiment with non-professional investors (NPI), using eye-tracking, mouse-tracking, and choice models, shows that cognitive constraints predicted by limited attention theory and heuristic processing described by dual-process theory limit their ability to reconstruct this mosaic. NPI do not significantly increase engagement with complex or assurance-related disclosures, resulting in lower incremental informational relevance under accounting fraud conditions. Collectively, the f indings support the thesis that the relevance of corporate reports increases when accounting fraud is disclosed, but that this increase is significantly stronger for PI than for NPI. Fraud is therefore not a transitory event but a structural disruption to the informational environ ment, it amplifies monitoring and disclosure relevance at the market level, while simultaneously deepening informational asymmetries at the investor level. By linking classical market theo ries (agency theory and EMH) to behavioral mechanisms of information integration (mosaic, limited attention, and dual-process), this dissertation advances the literature on accounting dis closure, investor behavior, and accounting fraud, and offers implications for disclosure design and regulatory frameworks that explicitly account for investor heterogeneity
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Produção do cafeeiro conilon empregando déficit e alternância na irrigação por gotejamento
(Universidade Federal do Espírito Santo, 2026-01-20) Lopes, Vanessa Chaves; Bonomo, Robson; https://orcid.org/0000-0002-4022-8216; https://lattes.cnpq.br/7564190687163814; https://orcid.org/0009-0006-5616-9499; https://lattes.cnpq.br/5842361106464695; Oliosi, Gleison; https://orcid.org/0000-0001-8911-4976; https://lattes.cnpq.br/6488125967999191; Quartezani, Waylson Zancanella; https://orcid.org/0000-0002-2700-332X; https://lattes.cnpq.br/5049820995551608
Brazil is the world's largest coffee producer, and coffee farming in the country has expanded into areas with significant climatic variability, which is exacerbated by current changes in temperature and rainfall patterns, presenting significant water supply problems for coffee plants. Among the techniques used for water conservation, drip irrigation with Controlled Alternating Partial Irrigation of the Root Zone (APRI) and Irrigation Deficit (DI) stand out. The experiment was implemented in the field in July 2019 and evaluated until July 2024, using genotypes 143. Two drip irrigation tubes were installed per row of plants, one on each side of the root system. The amount of water applied to the treatments was calculated from the crop evapotranspiration for localized irrigation (ETcloc). The experimental design adopted was randomized blocks, with nine treatments and four replications. The treatments included replacing 50% of the crop evapotranspiration for localized irrigation (ETcloc) at intervals of 3, 7, and 14 days, and 100% of ETc at the same intervals. It also included a treatment with controlled deficit irrigation, applying 50% of ETc, in addition to fixed irrigation with 100% of ETc applied by two drip lines and fixed irrigation with 100% of ETc applied by one drip line on only one side of the root system, representing the standard irrigation management in the region. Productivity, yield, coffee bean classification by sieve, and water use efficiency (WUE) were evaluated. Average productivity, yield, and sieve classification did not show differences according to Tukey's test. Therefore, in general, the treatments that received 50% of the replacement blade obtained the highest EUA values.