Doutorado em Estudos Linguísticos
URI Permanente para esta coleção
Nível: Doutorado
Ano de início: 2016
Conceito atual na CAPES: 4
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.135 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51).
Periodicidade de seleção: Anual
Área(s) de concentração: Teoria e Análise Linguística
Url do curso: https://linguistica.ufes.br/pt-br/pos-graduacao/PPGEL/detalhes-do-curso?id=1511
Navegar
Navegando Doutorado em Estudos Linguísticos por Assunto "Análise do discurso"
Agora exibindo 1 - 3 de 3
Resultados por página
Opções de Ordenação
- ItemAutoralidade fundadora no discurso constituinte teológico(Universidade Federal do Espírito Santo, 2025-01-31) Souza Junior, Candido Ferreira de; Nascimento, Jarbas Vargas; https://orcid.org/0000-0002-2002-1752; Vidon, Luciano Novaes; Alves Junior, Mário Acrisio; Cano, Márcio Rogério de Oliveira; Sarcinelli, Adriana ReclaOur Thesis has as its theme the study of the enunciative-creative complexity that is established within the theological constituent discourse. We base ourselves on the theoretical-methodological apparatus of French Discourse Analysis (DA), according to the enunciative-discursive perspective proposed by Maingueneau (1995, 1997, 2000, 2001, 2005, 2006, 2007a, 2007b, 2007c, 2008, 2009, 2010, 2014, 2015a, 2015b, 2016, 2020, 2022), in dialogue with the studies of Nascimento (2009, 2020a, 2020b) and theologian Gabus (1977). The thesis we defend is that the theological constituent discourse is organized by means of a founding authorship, which intertwines author and hyperenunciator in a creative paratopic process, guaranteeing legitimacy to its statements. An erasure of the voice of the theological producer allows the enunciation to be established by a hyperenunciator, who is beyond any locality and who becomes the guarantor of this discourse. Our general objective is to examine the enunciative creative complexity of the theological constituent discourse, by associating the notions of authorship, creative paratopia and hyperenunciator. As specific objectives, we aim to understand how the image of the author is constituted in the selected corpus and the discursive ethos that emerges from the paratopic coupling; to identify how the creative paratopia displaces the author-subject in the creative act; to verify how the hyperenunciator establishes himself in the theological scenography, guaranteeing stability to his statements. To prove our thesis, we delimited the object of analysis to three excerpts from the canonical Gospel of John: the prologue – John 1: 1-18; the washing of the feet – John 13: 1-20; the resurrection – John 20: 1-10. The conclusions, resulting from the analytical procedures, corroborate the proof of the proposed thesis, insofar as the corpus analyzed revealed linguistic-discursive marks of the constitutive theological discourse, which involve an authorial instance, marked by a creative paratopic location and by the establishment of a hyperenunciator, an Integrating and Absolute subject, which supports the theological scenography.
- ItemDa solidariedade à “casa da Mãe Joana” : análise do discurso digital sobre os refugiados no Facebook(Universidade Federal do Espírito Santo, 2025-05-29) Hora, Lidia Gurgel Neves; Lima, Fábio Luiz Malini de; https://orcid.org/0000-0002-2405-9109; http://lattes.cnpq.br/8284809605215682; https://orcid.org/0000-0002-8346-9968; http://lattes.cnpq.br/8401529474263427; Almeida, Julia Maria Costa de; http://orcid.org/0000-0003-2430-4116; http://lattes.cnpq.br/3648370916765504; Tomazi, Micheline Mattedi; https://orcid.org/0000-0002-2246-7061; http://lattes.cnpq.br/4783716565631781; Baronas, Roberto Leiser; https://orcid.org/0000-0003-0758-0370; http://lattes.cnpq.br/4613001301744682; Soares, Rosana de Lima; https://orcid.org/0000-0003-4250-9537; http://lattes.cnpq.br/5241011640369563This study employed a qualitative-quantitative method to analyze discourses concerning refugees on Facebook during 2020 and 2021, the initial phase of the COVID-19 pandemic. By integrating Data Science — specifically, the Perspectivist Method of Social Network Analysis — and Digital Discourse Analysis, the research examined 38,410 posts and 2.8 million interactions. The connections between words and actors were graphically represented as discursive perspectives. From the word-based perspectives, key themes emerged, including solidarity with refugees, the Brazilian government’s Welcoming Operation, and vulnerabilities associated with gender, race, and poverty. The actor-based perspective revealed collaborations between institutions and influencers that amplified the visibility of refugee mobilization and social initiatives. Notably, Brazilian far-right military and political figures appeared unified in their support for refugee reception — a stance contrasting with European xenophobia. This divergence may be attributed to the strategic alignment of such actions with anti-communist ideologies concerning Venezuela and the persecution of Christians in Afghanistan. An analysis of commercial media perspectives presented limited coverage of refugee issues, whereas alternative media outlets actively denounced human rights abuses and potentially hazardous political alliances. In both word and actor-based perspectives, the prominence of international organizations was evident. Within user comments, despite prevailing sentiments of solidarity, instances of hate speech and xenophobia were identified, often framed around concerns regarding refugee numbers, public safety, and health risks. These discourses frequently aligned with the global far-right. The study underscores the necessity for enhanced social media regulation, including stricter comment moderation and strategies to counter hate speech in digital interactions. It also highlights the importance of discourse analysis in capturing Brazil’s sociopolitical specificities, and advocates for the systematic archiving and processing of the country’s linguistic data. Furthermore, the findings suggest that discourse analysis could play a pivotal role in mitigating biases within AI-driven language models.
- ItemEthos, autoralidade e identidade discursivas em cenografias do ciberespaço(Universidade Federal do Espírito Santo, 2025-06-30) Miranda, André Freitas; Nascimento, Jarbas Vargas; https://orcid.org/0000-0002-2002-1752; http://lattes.cnpq.br/3171836873464711; https://orcid.org/0000-0002-9596-2178; http://lattes.cnpq.br/9973800091776101; Vidon, Luciano Novaes; https://orcid.org/0000-0003-2231-6279; http://lattes.cnpq.br/3136561352267602; Alves Junior, Mário Acrísio; https://orcid.org/0000-0002-1732-8251; http://lattes.cnpq.br/8555982390613118 ; Cano, Márcio Rogério de Oliveira; https://orcid.org/0000-0001-5502-6951; http://lattes.cnpq.br/4320952131815734; Ferreira, Anderson; https://orcid.org/0000-0001-7980-5773; http://lattes.cnpq.br/1006738639592351Cette thèse s’inscrit dans le champ de l’Analyse du Discours de tradition française (AD) et se concentre sur la construction de l’autoralité (auteur), de l’identité et de l’ethos discursifs dans les scénographies numériques du cyberespace, à partir de l’activité du journal A Gazeta sur son compte X/Twitter. Le corpus comprend des publications liées à des nouvelles, reportages, caricatures et articles d’opinion publiés sur le site officiel du journal, organisées en cinq moments énonciatifs : février et avril 2021, février 2022 et février 2023. Nous partons de la question suivante : celui qui énonce un discours dans une condition de production donnée peut-il être considéré comme son auteur, même lorsque ce discours est approprié par diverses formations discursives et circule sur différentes plateformes ? À partir de cette problématique, nous examinons comment le journal construit son image auctoriale et identitaire dans la fluidité et la performativité du langage numérique. Il s’agit de réfléchir à l’autorat dans l’environnement numérique et à ses implications pour les études du discours. Dans ce contexte, nous comprenons que la production de sens, la constitution des sujets et la construction de l’image de l’énonciateur s’opèrent à travers des pratiques propres au numérique et une négociation constante des ethos, de l’identité et du positionnement. Nos analyses s’appuient sur un cadre théorique composé principalement de Maingueneau (2010 ; 2015 ; 2019), Paveau (2021), Charaudeau (2001 ; 2008 ; 2014), Bakhtine (2009 ; 2017), Foucault (2013) et Agamben (2007), avec un accent particulier sur la notion d’autoralité comme geste discursif. L’énonciation numérique mobilise une complétude énonciative qui construit à la fois une identité institutionnelle et une image d’auteur liée au journal, révélant différents niveaux de responsabilité discursive. Nous cherchons ainsi à comprendre comment la présence numérique institutionnelle du sujet projette des images de soi dans le discours, construisant des ethos discursifs multiples, qui s’articulent, se confrontent et se négocient constamment dans le cyberespace à travers l’hypermédia. Nous constatons que l’autoralité est un processus qui émerge comme fonction et geste dans différentes scènes d’énonciation. A Gazeta, dans ce processus, occupe des positions auctoriales multiples et projette des images de soi qui se construisent, se tendent et se renégocient dans l’espace hypermédiatique.