Doutorado em Letras
URI Permanente para esta coleção
Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503
Navegar
Submissões Recentes
- ItemDitadura militar brasileira e violência de gênero em Tropical sol da liberdade, de Ana Maria Machado(Universidade Federal do Espírito Santo, 2024-11-21) Bergami, Lucinei Maria; Martinelli Filho, Nelson; https://orcid.org/0000-0002-6956-5400; Trefzger, Fabíola Simão Padilha; Paz, Gaspar Leal; Cunha, Marcelo Durão Rodrigues da; Dadalto, WeversonBased on a reading of Tropical sol da Liberdade (2012), a novel by Rio de Janeiro writer Ana Maria Machado (1941), this text investigates the trajectory of the character Helena, before, during and after her exile, due to the Brazilian Military Dictatorship. The memories of the protagonist's childhood, youth and adult life, especially the period before and after her exile, in addition to the dialogue she establishes with her mother Amália, bear witness to the dictatorial era and the suffering of a community. Based on this narrative context, the research is based on aspects that date back to real events during the dictatorship, the social role of women, gender-based violence perpetrated by the regime, as well as the traces left by the military during the 21 years of repression. Not without reason, the development of this investigation included the contributions of scholars Márcio Seligmann-Silva, Wilberth Salgueiro, Jaime Ginzburg, Regina Dalcastagnè, Jeanne Marie Gagnebin, Nelson Martinelli Filho, Edward Said, Shoshana Felman, Aleida Assmann, Paul Ricoeur, between others. This thesis, therefore, joins the voices that call for not forgetting global catastrophes, dictatorships, mass extermination and any type of violence attributed to women.
- ItemFaces da violência na literatura de Luís Dill : um estudo de três narrativas para jovens(Universidade Federal do Espírito Santo, 2024-11-29) Souza, Danilo Fernandes Sampaio de; Silva, Arlene Batista da ; https://orcid.org/0000-0001-8153-5776; http://lattes.cnpq.br/2371977118070548; https://orcid.org/0000-0002-9037-8677; http://lattes.cnpq.br/3841047065311344; Salgueiro, Maria Amélia Dalvi; https://orcid.org/0000-0002-8729-2338; http://lattes.cnpq.br/9399371418356916; Paz, Gaspar Leal; https://orcid.org/0009-0002-1139-1791; http://lattes.cnpq.br/5152530982132224; Martha, Alice Áurea Penteado ; https://orcid.org/0000-0002-9794-0079; http://lattes.cnpq.br/6609188672656392; Ramalhete, Mariana Passos ; https://orcid.org/0000-0002-6933-6552; http://lattes.cnpq.br/5970771373978559This thesis is linked to the investigations of the Research Line “Literature: creative writing, translation and teaching” of the Postgraduate Program in Literature at the Federal University of Espírito Santo, integrating the dialogues of the Research Group “Literature and Education” of the same institution. With a qualitative approach and bibliographic-documentary character, this study aimed to investigate the different faces of violence in the youth literature of the Gaucho author Luís Dill. For this, three works were selected that make up the main corpus of analysis: The night of the emeralds (1997), The day in which Luca did not return (2009) and 100 thousand followers (2019), each representing a different decade of the writer's literary production. The analysis and interpretation of the presence of different forms of violence in the selected works were based on theoretical studies on the subject, such as those by Yves Michaud, Slavoj Žižek, Byung-Chul Han and Marilena Chauí, among other researchers. Furthermore, the work dialogued with research on contemporary Brazilian literature, from authors such as Karl Erik Schøllhammer, Tânia Pellegrini and Jaime Ginzburg, and investigations on Brazilian youth narrative, with contributions from João Luís Ceccantini and Alice Áurea Penteado Martha, among others. The analyzes indicated a progression in the forms and manifestations of violence in Luís Dill's narratives, reflecting the current political-economic system in contemporary times. Through his texts, the author constructs a credible reality, based on the historical and social conditions of the objective world, at the same time as he carries out a scathing critique of the modus operandi of capitalist society. His works show how violence finds different ways of existing and reinventing itself over time
- ItemO lugar do negro na formação nacional na produção literária de Carolina Maria de Jesus(Universidade Federal do Espírito Santo, 2024-11-08) Leonardeli, Poliana Bernabé; Dutra, Paulo Roberto de Souza ; https://orcid.org/; https://orcid.org/0000-0003-4534-474X; Caser, Maria Mirtis ; Forde, Gustavo Henrique Araújo ; Oliveira, Luiz Henrique Silva de ; Gonçalves, Ana Beatriz RodriguesThis is the english abstract.This research focuses on the study of three works by the writer Carolina Maria de Jesus, Quarto de Eviction: Diary of a Favelada (1960), Diário de Bitita (1986) and Casa de Alvenaria: Diary of an Ex-Favelada (1961), in which the author articulates her Afro-diasporic experience with the trajectory of national formation. The hypothesis of this work is that Carolina’s production reflects the trajectory of the black Brazilian people, as her literature is based on strong national social contradictions, which emerge from her production through a dialogical network that is linked to the African diaspora and the black-Brazilian diaspora. In view of this, through their narratives, the black body is delineated which, subjected to a project of Eurocentric power, transits in national rural and urban spatiality. In this way, his text broadens the understanding of the trajectory of these subjects in the face of the socioeconomic changes to which the country was subject after abolition, demonstrating, in the meantime, how, although legally free, these individuals continued to be immersed in a violent system of exploitation of their work and the plundering of their culture. That said, it is possible to affirm that Carolinian literature provides a broad and critical overview of the condition of black people in the national territory, especially in the first years of the republican period. To this end, the author articulates, metaliterally, her trajectory in the context of capitalism and the working conditions of black people under this new regime. This research also points out that this production was important for the advancement of national literature, as it caused ruptures in the canon by deconstructing stereotypical and discriminatory images about black people and their cultures, making use of an innovative linguistic structure and a dialogical network of senses. The research methodology adopted is bibliographical, and the analysis procedure of the works is guided by the historical-dialectical materialist method, as a way of analyzing, with more property, the developments of the national Afro-diasporic trajectory, mainly in the face of socio-cultural transformations. historical events that occurred in a context of the rise of capitalism as an economic model
- ItemA infância de Guirigó e de outras crianças da obra de João Guimarães Rosa(Universidade Federal do Espírito Santo, 2024-11-27) Oliveira, Rízia Lima; Salgueiro, Wilberth Claython Ferreira ; https://orcid.org/; Martini, Marcus De ; Belúzio, Rafael Fava ; Lima, Sandra Mara Moraes ; Sarmento-Pantoja, Tânia Maria PereiraThinking about the relationship between childhood and Literature, we propose a consideration of child characters in the work of João Guimarães Rosa, taking as a starting point the boy Guirigó, from the novel Grande sertão: veredas, in order to deepen the study of the social constitution of the child as a product of the backlands environment, marked by misery and violence, considering its physical, psychological and social aspects and its black origin. The analysis of other boys and girls who are characters in the complete works of Guimarães Rosa will be presented, with the aim of tracing, based on similarities and differences, the construction of the boy Guirigó. To this end, Rosa's critical fortune and important texts by authors such as Antonio Candido, Vania Maria Resende, Willi Bolle were fundamental for the construction of the analyses. The corpus is composed of critical studies that relate Literature and History, with support from theoretical studies such as those by Alfredo Bosi and Giorgio Agamben, aiming to problematize (a) the way in which childhood was conceived for Brazilian society within and outside literature, (b) the place of children in literature and (c) the way in which, in works by the same author, it is possible to find a diversity of childhoods, some of them marked by misery, inequality and violence, while others are surrounded by care and privileges. Theoretical, philosophical and conceptual works on childhood, violence, character composition and the role of the boy in literature, by authors such as Mary Del Priore, Philippe Ariès, Walter Benjamin and Roberto Schwarz were used for discussions about the creation of this role and its aspects. The aim, in addition to surveying the recurrence of childhood in the work of the author from Minas Gerais, is to consider the unusual among childhoods. Therefore, what we seek is what is unusual between Guirigó and other children of João Guimarães Rosa
- ItemLiteratura indígena : tempos de histórias e ancestralidades nas narrativas literárias(Universidade Federal do Espírito Santo, 2024-11-21) Sodré, Patricia Rosicleia da Silva; Miranda, Marina Rodrigues ; Silva, Arlene Batista da ; https://orcid.org/; Caser, Maria Mirtis ; Marcilino, Ozirlei Teresa ; Piera Chacón, Ricardo Horacio ; Angelo, Francisca Navantino Pinto deIndigenous literary narratives move between different temporalities, enacting plots and constituting a multiplicity of voices that evoke ancestry and tell stories. Thus, this research proposes a study on the following narratives: O Caçador e o Curupira (2023), written by Trudruá Dorrico (RR), from the Macuxi people; A Onça-pintada de Kauany, a Guardiã dos Segredos (2023), by Auritha Tabajara (CE), from the Tabajara people; Jibikí Porikopô, o Furto da Panela de Barro (2019), by Ariabo Kezo (MT), from the Balatiponé-Umutina people[1], and Os Raios Luminosos (2019), written by Jera Poty Mirim (SP), from the Guarani Mbya people. Based on this selection, we seek to understand how ancestral time and historical time are represented in the literary plot, and how these temporal notions highlight events and experiences in tradition and contribute to the construction of meanings in the narrative. Regarding the investigative path, this study uses theoretical-bibliographical research. Thus, aiming to understand the history of these peoples and the different aspects (ethnic, historical, social, political and aesthetic) that are part of indigenous literature, we dialogue with scientific articles and theoretical productions by indigenous authors who address this theme, such as Graça Graúna (2018, 2013 and 2001); Kaká Werá Jecupé (2020 and 2017); Márcia Kambeba (2021); Olívio Jekupé (2018 and 2009); Edson Kayapó (2021); Daniel Munduruku (2020, 2018, 2017 and 2009); Gersem Luciano Baniwa (2012 and 2006) and Trudruá Dorrico (2018). Furthermore, taking the historical perspective approach, we intend to observe the relationship between the Brazilian State and indigenous peoples in different contexts, based on the studies of some theorists, including: Manuela Carneiro da Cunha (2021), for her anthropological perspective on the traditional knowledge and cultural rights of the indigenous people; Mércio Pereira Gomes (2021), for his point of view on indigenous people in Brazil and indigenous policies, and Maria Inês de Almeida (2009, 2004 and 1999), for her theoretical-critical work on indigenous literatures. In this way, we seek to demonstrate that ancestral time and historical time are symbolic elements present in indigenous literature that act in the narrative plot and constitute an important source of historical and cultural references of an ethnic group, being updated and re-signified, based on the social and political contexts in which they are inserted