Mestrado em Comunicação e Territorialidades
URI Permanente para esta coleção
Nível: Mestrado Acadêmico
Ano de início: 2014
Conceito atual na CAPES: 4
Ato normativo:CNE/CES nº 154/2014
Periodicidade de seleção: Anual
Área(s) de concentração:Comunicação e Territorialidades
Url do curso: https://comunicacaosocial.ufes.br/pt-br/pos-graduacao/POSCOM/detalhes-do-curso?id=1475
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- ItemO jornalismo religioso como dispositivo de poder e a construção discursiva da mulher na Folha Universal(Universidade Federal do Espírito Santo, 2025-10-29) Rocha, Raquel Silva; Reis, Ruth de Cássia dos; https://orcid.org/0000-0003-3571-3580; https://lattes.cnpq.br/2483123134241477; https://orcid.org/0009-0009-2531-0092; https://lattes.cnpq.br/0368417599440345; Souza, Flávia Mayer dos Santos; https://orcid.org/0000-0003-3724-8109; https://lattes.cnpq.br/7612159350183081; Geraldes, Elen Cristina; https://orcid.org/0000-0003-0073-2001; https://lattes.cnpq.br/9494858512482573The expansion of the evangelical presence in Brazil’s political and social debates and the central role of religious media in producing subjectivities and everyday practices lead to a contemporary problem: how does religious journalism, as a dispositif of power, constitute the neopentecostal woman through discourse in Folha Universal? Situated within the field of Communication and Territorialities, this dissertation seeks to understand how the performativities of neopentecostal women are constituted in the discourse of journalism produced by Folha Universal – official newspaper of the Igreja Universal do Reino de Deus (Iurd), published weekly and also available in a digital version on its eponymous website, covering a wide range of topics from an evangelistic perspective aligned with the institution’s doctrine. To achieve this goal, it aims to delineate the specificities of religious journalism amid the historical transformations in the relationship between media and neopentecostalism, to identify the elements that compose the figure of the neopentecostal woman in the analyzed articles, and to examine the articulations between religious and journalistic discourse in the production of meanings about gender and power. Based on Foucauldian Discourse Analysis, articulated with studies on communication, religion, and gender, the research analyzes the performativities of neopentecostal women as reiterated modes of enunciation and behavior. The analytical process makes it possible to understand that the journalism produced by Folha Universal organizes conduct, fabricates ways of being, and constitutes feminine performativities through discourse. By observing the newspaper’s enunciative strategies, the study highlights the mechanisms by which women are interpellated to govern themselves through a rationality that, under the sign of the sacred, reactivates forms of power and subjectivation characteristic of modernity. The discourse of Folha Universal constructs the woman as a project of the self, called to self-management and discipline in all spheres of life—emotional, marital, and professional. Marital relationships appear as a structuring axis, positioning the woman as the manager of family salvation. Thus, it is understood that Folha Universal, a publication of the Igreja Universal do Reino de Deus (Iurd), operates as a dispositif that defines modes of conduct and establishes regimes of truth about what it means to be a neopentecostal woman.
- ItemMulheres indígenas ciberativistas : territorialidades digitais no Instagram(Universidade Federal do Espírito Santo, 2024-11-05) Celeste, Larissa Rais; Zanetti, Daniela; https://orcid.org/0000-0002-3252-2271; http://lattes.cnpq.br/1014410108339962; https://orcid.org/0000-0002-2868-5705; http://lattes.cnpq.br/0711314385740857; Reis, Ruth de Cássia dos ; https://orcid.org/0000-0003-3571-3580; http://lattes.cnpq.br/2483123134241477; Aguiar, Lisiane Machado ; https://orcid.org/0000-0002-7840-0923; http://lattes.cnpq.br/7856133108794707; Ferreira, Sérgio Rodrigo da Silva; https://orcid.org/0000-0002-9899-4378; http://lattes.cnpq.br/6898076743592293; Queiroz Filho, Antonio Carlos; https://orcid.org/0000-0002-8068-2325; http://lattes.cnpq.br/4151555053545172This dissertation aims to investigate the expressions of identity promoted by Brazilian Indigenous women cyber-activists, with an emphasis on the communication strategies employed on social media, particularly Instagram. The research analyzed the profiles of nine Brazilian Indigenous cyber-activists, focusing on posts made during the week following April 19, 2023, a date that symbolizes the national campaign celebrating Indigenous culture and struggles. The methodology employed included a categorical content analysis of the collected posts, followed by a critical analysis of the data to deepen the understanding of the discursive and communications strategies adopted. These steps allowed an evaluation of the visibility achieved by these activists' actions on social media during the analyzed period in 2023. The results highlight how these women construct and share narratives that reinforce their personal and collective identities, transforming digital platforms into spaces of expression, resistance, and rights advocacy. Social media thus emerges as a fundamental tool for cyber-activism, enabling Indigenous women to amplify their voices, strengthen their causes, and fight for dignity. On the other hand, the study also underscores the numerous challenges faced by these cyber-activists, stemming from their dual identity as women and Indigenous peoples. These challenges include sociocultural barriers, structural prejudices, and access limitations, making their pursuit of equity and social justice a constant struggle in both dimensions. This research, therefore, contributes to the field of communication by shedding light on the dynamics of visibility, resistance, and representativeness on social media, highlighting the protagonism of Brazilian Indigenous women in the digital landscape
- ItemPercepção do consumo de conteúdos stories do Instagram e do Tiktok por mulheres adolescentes(Universidade Federal do Espírito Santo, 2025-09-02) Preti, Mariana Mauro; Peruzzo, Cicília Maria Krohling; https://orcid.org/0000-0002-6384-8848; http://lattes.cnpq.br/9161998311900474; https://orcid.org/0009-0003-36044-0104; http://lattes.cnpq.br/3136883431233637; Zanetti, Daniela Gardens; https://orcid.org/0000-0003-3365-1910; http://lattes.cnpq.br/1014410108339962; Natansohn, Leonor Graciela; https://orcid.org/0000-0003-3404-4522; http://lattes.cnpq.br/2953531382617670This reception study proposes Instagram and TikTok stories as a hybrid genre between audiovisual and algorithms, researching their perception and consumption by adolescent women in public schools in Vitória, capital of Espírito Santo. The objective is to investigate the reception of stories content by adolescent women to understand how this consumption is configured and what the respondents' perceptions are about it. The quali-quantitative methodology involved bibliographic research, a reception study through data collection via surveys, and the application of the Delphi method. For the analysis, the Theory of Social Representations (Moscovici, 1961) was used, as well as concepts from Martín-Barbero's cartographic maps (2004), supplemented by specialist assessments on the main response axes obtained. It is concluded that this consumption 1) is predominantly passive, with a pseudo-appropriation of users in digital territories dominated by large technology companies without adequate regulation; 2) is conditioned by market standards guided by secret algorithms and by a self-regulatory advertising; 3) is profit-oriented throughout its entire production chain, from influencers and advertisers to the owners of the digital platforms, despite the harm it may cause to consumers (users), including their health. The adolescent’s perception of stories content is based on social representations that may 1) have harmful impacts on their development, affecting their health, self-esteem, sociability, independence, critical thinking, values, and relationships; 2) reinforce the creation of hyper-realities, in which the difference between reality and its representation is lost. Finally, the idea of 12 "algorithmic domestication" is proposed, through which digital platforms condition their users to dominant general views
- ItemJornalismo ambiental e literário: ativismos, subjetividades e territorialidades nas narrativas em Sumaúma(Universidade Federal do Espírito Santo, 2025-09-22) Messias, Ana Carolina Poleze; Reis, Ruth de Cássia dos; https://orcid.org/0000-0003-3571-3580; http://lattes.cnpq.br/2483123134241477; https://orcid.org/0009-0003-1889-3556; http://lattes.cnpq.br/8095975619045046; Henriques, Rafael da Silva Paes; https://orcid.org/0000-0002-1812-5886; http://lattes.cnpq.br/4260742302003843; Girardi, Ilza Maria Tourinho; https://orcid.org/0000-0001-8766-7139; http://lattes.cnpq.br/2958087259315385This research presents a study about the connections between environmental journalism and literary journalism, using the independent environmental journalism platform Sumaúma, co-founded by journalist Eliane Brum, as a reference. We adopt the hypothesis that literary journalism functions as a narrative device to enhance activism within environmental journalism, and we seek to answer the following question: How do elements of literary journalism, combined with those of environmental journalism on the Sumaúma platform, construct activism in defense of territories? To address this, we explore debates around objectivity, subjectivity, news values, and activism in order to understand how our subject challenges the traditional canons of journalism theory. We define the concepts of environmental, literary, and independent journalism, and we contextualize the notions of territoriality present in Sumaúma. Our methodology is based on the Pragmatic Analysis of Journalistic Narrative (Motta, 2005), applied to 18 reports from the "Yanomami Genocide" section. We identify key themes and conflicts, characters, communicative strategies of objectification and subjectification, and metanarratives. Based on our analyses, we conclude that Sumaúma employs literary journalism techniques as narrative tools in the construction of environmental activism, thereby filling a gap left by mainstream media bound to objectivity and impartiality
- ItemInsecure: feminismo negro, narrativa seriada e a territorialidade das vozes de mulheres nas canções(Universidade Federal do Espírito Santo, 2025-08-13) Cypriano, Dyone Arruda; Alves, Gabriela Santos; https://orcid.org/0000-0001-5243-7499; http://lattes.cnpq.br/5801228543473679; https://orcid.org/0009-0008-6921-8776; http://lattes.cnpq.br/7728174011599896; Silva, Maria Lucia da; https://orcid.org/0000-0001-5340-3135; Opolski, Débora Regina; https://orcid.org/0000-0002-7784-3626; http://lattes.cnpq.br/5694754137339356The objective of this dissertation is to analyze and reflect on the protagonism of Black women in the American fictional television series Insecure, focusing particularly on its first season, released in 2016, and on the insertion of songs featuring female voices throughout the episodes. The study examines not only the leading roles of Issa Dee, played by Issa Rae, and Molly Carter, played by Yvonne Orji, but also the supporting characters Kelli Prenny and Tiffany DuBois, analyzing their dramatic actions, highlighting spoken/sung melodies (especially in rap style), and how songs are integrated into the episodes or the season’s narrative arc. The theoretical framework of this research is grounded in contemporary strands of Black feminism, drawing on both American and Brazilian thinkers such as bell hooks and Lélia Gonzalez, among others. The methodology, with a qualitative approach, employs film and sound analysis of the Insecure series corpus. This analysis focuses on narrative elements that address a range of themes and issues central to the experiences of Black women, including loneliness, silencing, labor struggles, sexism, the search for care and belonging, and the complexities of relationships. To that end, the research concentrates on sung speech/voice-melody, the selection of frames, and the choice of songs featuring female voices. The breakdown of these elements will help reveal the complex experience of Black women and their representation in serial fiction.