Mestrado em Filosofia

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17517

Nível: Mestrado Acadêmico
Ano de início: 2008
Conceito atual na CAPES: 4
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019). Publicação no DOU 18 de março de 2019, seç. 1 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51). Publicado no DOU 28/07/2005, seção 1, página 11)
Periodicidade de seleção: Semestral
Área(s) de concentração: Filosofia
Url do curso: https://filosofia.ufes.br/pt-br/pos-graduacao/PPGFil/detalhes-do-curso?id=47

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A alienação da liberdade pela própria liberdade : o paradoxo do problema do mal em Paul Ricoeur
(Universidade Federal do Espírito Santo, 2017-07-10) Silva, Janaína Rosa da; Barreira, Marcelo Martins; Paula, Adna Candido de; Botter, Barbara; Albuquerque, Ivanhoé Leal; Souza, Thana Mara de
This research aims to investigate the paradox of the problem of evil that alienates freedom through freedom itself. Since Augustine, philosophy has rejected the idea of a nature of evil as a being, as a thing, which, on the one hand, led the understanding of evil to the field of the imperfection of human nature. Modern philosophy places freedom as the central point of discussions around the origin of evil action, especially Descartes, Kant and Hegel. However, imputability and guilt show the limit of the autonomy of the sovereign subject, since the subject is both capable of good and capable of evil. In order to understand the paradox between evil, freedom and the able subject of Ricoeurian, this investigation begins with Ricoeur's Philosophy of Will, in an attempt to show how the capable subject is placed in opposition to the sovereign subject from the realization of the fragility of the will in the face of evil. Then, from the long hermeneutic way as a form of interpretation we seek to understand the meaning of hermeneutical theory of symbols and myths, transmitted by the ancient Babylonian, Jewish and Christian cultures in the works symbolic of evil (1960) and The conflict of interpretations (1969). The relation between evil and freedom in Ricoeur has its genesis in direct dialogue with the problem of radical evil and the free will of Kantian philosophy. In the face of the subject of Ricoeurian who wants to reveal himself as a being that brings to light through the mysterious subjectivity constituted between body and thought a subject of powers. This capable subject is criticized by Levinas with the theory of absolute alterity, which is opposed to the Ricoeurian subjectivity of self-understanding. In the course of our investigation, we note that the subject of powers of Ricoeur, although clothed with a paradox, has the merit of empowering the human being as agent, an agent responsible for his actions. The study of the performative character of freedom without the use of transcendence led us to think of the ransom of forgiveness as a form of restoration of alienated freedom.
A arqueologia do dispositivo de poder disciplinar a partir de uma genealogia do poder na obra Vigiar e Punir de Michel Foucault
(Universidade Federal do Espírito Santo, 2016-03-28) Galvão, Bruno Abilio; Souza, Thana Mara de; Viesenteiner, Jorge Luiz; Yazbek, André Constantino
The archeology and genealogy are analytical tools that Foucault uses, simultaneously, both on the issue of knowledge as power. Therefore, we affirm that these instruments do not separate into distinct periods, which is not to deny periodizations but deny mutilations in Foucault's work. We argue that occurs, from the reflections of The Archaeology of Knowledge, an expansion in the philosopher's analysis field, directing both archeology as genealogy, issues involving relations of power, which enables us to argue toward an archeology disciplinary power device from a genealogy of power. This analysis starts from the questioning of the current condition of the subject, Foucault diagnosed as governed by power relations that submit the body to a normative discourse, tending be an individual that matches a model, which is called docile bodies. They are the product of an embodiment of power, discipline, which makes use of several mechanisms that operate interconnected, forming a power device. Archaeology shows, when applied to a discursive formation, the relationship between the various elements that make up a speech. The relationship between the speech elements that determine a discursive regularity Foucault calls episteme, which is a strictly discursive device. Archaeology is the instrument applied in the analysis devices and, in Discipline and Punish, the philosopher directs archeology and genealogy to the axis of power, we will have an archeology of disciplinary power from elements found in a genealogy of power. The mechanisms of power found through genealogy and archeology organized by composing the disciplinary power of the device are: the art of distributions, control activities, the hierarchical surveillance, normalizing sanction and examination.
A busca fracassada pelo ser : estudos sobre a intencionalidade da consciência em Sartre
(Universidade Federal do Espírito Santo, 2014-06-02) Erculino, Siloe Cristina do Nascimento; Souza, Thana Mara; Carrasco, Alexandre de Oliveira Torres; Murta, Claudia Pereira do Carmo
Nous allons analyser la notion de conscience intentionnelle chez Sartre, dans l’établissement de ses relations avec le monde et avec les autres, pour révéler que l’homme est une quête de l’Être et qu’il doit être compris à partir de ses choix et ses significations par la psychanalyse existentielle. Comme nous allons voir, la conscience n’est pas un type d’existant determiné tel qu’une brique ou un marteau, car elle est une puissance signifiante du réel, capable d’éclairer le présent et le passé par de futurs projets. Cela ne signifie pas que l’homme crée le réel selon sa volonté, car le monde existe par soi-même; cela signifie que l’homme est le seul responsable de ce qu’il fait de lui-même et de donner du sens au monde, puisqu’il est absolument libre. En lui-même, l’homme est rien, il se rapporte donc au monde; c’est son rien qui lui fait chercher l’être pour atteindre la complétude. Il s’agit d'une projection de l’avenir qui ne se réalise pas, ce qui ouvre un horizon de possibilités de nouvelles conduites et permet de continuer à agir. C’est l’échec ontologique à trouver sa propre fondation qui permet l’action libre et la recherche de succès existentiels. Pendant qu’il est vivant, l’homme reste comme la recherche de l’être – l’homme n’existe que comme du désir manqué.
A consciência intencional como subjetividade concreta: estudo sobre o irrefletido e o reflexivo na filosofia de Jean-Paul Sartre
(Universidade Federal do Espírito Santo, 2020-09-21) Modolo, Damares Franca; Souza, Thana Mara de; https://orcid.org/0000000284613239; http://lattes.cnpq.br/1586702620708183; https://orcid.org/0000-0001-6757-375X; http://lattes.cnpq.br/5091742542863961; Araujo, Arthur Octavio de Melo; https://orcid.org/0000-0001-5585-057X; http://lattes.cnpq.br/7986103638057702; Erculino, Siloe Cristina do Nascimento; https://orcid.org/0000-0001-7290-3856; http://lattes.cnpq.br/7185426286373031
La subjectivité dans la pensée de Jean-Paul Sartre est conçue comme mouvement intentionnel, qui, parmi tant de modes de don, perçoit, imagine, s'émeut et signifie le monde. Ce n’est pas un système d’intériorisation des impressions, des jugements et des concepts émanant d’un sujet. Le but de cette recherche est précisément celui d’aborder la complexité de ce concept de subjectivité. Cela se fera en deux moments. Tout d’abord, par l’analyse de la conscience réflexive, nous chercherons à démontrer l’appréhension de l’Ego et aussi sa constitution à travers les transcendances: états, actions et qualités. En examinant ces deux mouvements réflexifs, nous pensons qu’il est possible de démontrer que les caractéristiques de l’Ego ne se confondent pas avec celles de la subjectivité. Ainsi, par la différenciation entre elle et l’Ego, nous cherchons à mettre en évidence les particularités de cette subjectivité qui se fait en acte, comme intentionnalité. Puis, dans un second temps, l’étude se concentrera sur l’analyse des Structures Immédiates du Pour-soi, sur l’œuvre L’Être et le Néant, pour essayer de comprendre la manière d’être de cette subjectivité par un biais ontophénoménologique, et, dans le même esprit, cherchera à associer ces structures immédiates aux caractéristiques de la subjectivité perçues dans l’étude sur la réflexion, qui a eu lieu au premier moment de la recherche.
A crítica contemporânea ao dualismo metafísico alma-corpo de René Descartes
(Universidade Federal do Espírito Santo, 2010-12-02) Borges, David Gonçalves; Araujo, Arthur Octavio de Melo; Candiotto, Kleber Bez Birolo; Murta, Claudia Pereira do Carmo
This dissertation aimed to research about the contemporary conceptions concerning the mind, using as philosophical reference René Descartes - the thinker who inaugurates the inquiries on the subject with his works "Meditations On First Philosophy" and "Treatise on the Passions of the Soul." The investigation sought to identify the main implications of Cartesian metaphysics on the philosophy of mind, and to show that the latter only became a field of study distinct from other philosophical fields since it started from criticism of the Cartesianism. In the first section an extensive presentation of the thought of René Descartes was prepared, with special emphasis on his views about the "soul" (or "mind" in contemporary terms). The second section addressed the first criticisms on dualism, as well as the objections contained in the works of Gilbert Ryle and Daniel Dennett. The third section presents non-dualistic and noneliminativistic approaches, focusing on the positions of John Searle and Antonio Damasio. It was concluded that the philosophy of mind followed a linear, gradual, and somehow inevitable development - in the latter case, keeping in mind mainly how it originated from the categories postulated initially by Descartes. Additionally, it was concluded that the path to greater success and wider potential for the advancement of cognitive science is in the union between empirical and philosophical knowledge, similar to the methodology employed by Damasio.
A dialética do trágico na Fenomenologia do Espírito de Hegel
(Universidade Federal do Espírito Santo, 2012-12-12) Lima, Robson Ferreira; Luchi, José Pedro; Cavalieri, Edebrande; Pires, Frederico Pieper
Taking a general view of the course taken by the Spirit in the religious form of consciousness within Hegels Phenomenology of Spirit as a starting point, were intending to detach from this movement, as one essencial moment, the ceasure occured in the ethical substance which founds Greek Ethicitys world; it is the radicality of this ceasure itself what characterizes the Greek Tragedys moment. The most suitable form of representation to this ceasured content lies in a form of art which is capable of synthesizing both human s world effectiveness and spirits world conceptuality, that is, the tragic poetry. In spite of how important is the ceasure shown by the Tragedy, dividing the Ethicity in two Laws the Divine Law and the Human Law , this ceasure also contains in its own development a moment of reconciliation. This process of overcoming the oppostions goes along with the development of the tragic heros subjectivity, when he stops letting a blind fate guide his life and start to behave as a conscious agent, assuming both his actions and their consequences. Afterwards, Hegels dialectics itself carries a tragic fashion, including the pain of losing as well as the reaching a new plateau.
A estética do irreal : considerações sobre a arte em Jean-Paul Sartre
(Universidade Federal do Espírito Santo, 2017-03-06) Hoste, Vinicius Xavier; Souza, Thana Mara de; Araújo, Arthur Octávio de Melo; Moutinho, Luiz Damon Santos
Parler de l’art dans la pensée de Jean-Paul Sartre c’est rentrer dans un champ ambigu, c’est transiter entre l’imaginaire et la perception, entre le sens et la signification, entre la critique et l’aliénation. En fait, ce sont précisément ces ambiguïtés qu’on abordera dans ce travail, pas afin de les résoudre, mais dans le but de montrer comment le philosophe français les utilise pour construire sa réflexion sur l’art. Nous allons essayer, alors, de montrer comment l’œuvre d’art, même s’il est une irréalité, n’exclut pas la dimension perceptible. Ensuite, nous cherchons à élucider la façon que cette dimension irréelle ouvre la possibilité soit d’un art critique, soit d’un art aliénant, en montrant, d'ailleurs, que cette opposition ne s’identifie pas avec la distinction entre les arts signifiants e les arts non signifiants. Enfin, nous chercherons à expliquer comment une œuvre d’art peut exprimer de façon concrète la critique ou l’aliénation, et que ça ne découle pas uniquement de l’artiste, mais dépend aussi de l’attitude du public.
A estrutura “como” (Als Struktur) em Martin Heidegger: o discurso (Rede) e aquilo sobre o quê (Worüber) discorre.
(Universidade Federal do Espírito Santo, 2019-08-15) Costa, Igor Nunes; Souza, Thana Mara de; https://orcid.org/0000000284613239; http://lattes.cnpq.br/1586702620708183; https://orcid.org/0009-0006-3374-3611; http://lattes.cnpq.br/9094148338365421; Henriques, Rafael da Silva Paes; https://orcid.org/0000000218125886; http://lattes.cnpq.br/4260742302003843; Santos, Jorge Augusto da Silva; https://orcid.org/0000000161111693; http://lattes.cnpq.br/3088783002373165
Heidegger states that the discourse (Rede) lets you see what "about what" (Worüber) talks about and does so for all those who talk to each other. We investigate the structure "as" (Als Struktur) of that "about what" exposition of the understood in conjunctures (Bewandtnis) that is allowed to be seen as speech. Comprehension (Verstand) discovers conjunctures where the entities arise as significant possibilities of being that are elaborated hermeneutically exposing the understood "how" something. Entities are possibilities in the comprehensible opening to the world (Welt) as significance (Bedeutsankeit) and that, in development with others, are articulated meaning and exposition "as" something discursed in the discourse (Rede). This path led us to choose, first and foremost, Being and Time to show this hermeneutic "how" being the explicit comprehension that is seen in the discourse, because there one meditates on the world, the discourse and the "how" structure. We begin with the worldliness of the world and the open significance in the comprehension that is expressed hermeneutically and is seen in the discourse. What is the "how" structure (Als Struktur)? What is your relation with discourse (Rede)? And between them "about what" is discussed (Worüber)?
A experiência do divino na Grécia arcaica (a partir de Walter Otto)
(Universidade Federal do Espírito Santo, 2014-03-31) Bastos, Daniel Ferstl Ferreira; Francalanci, Carla Costa Pinta; Bocayuva, Izabela Aquino; Luchi, José Pedro
A facticidade da vida nas origens cristãs: uma leitura das interpretações heideggerianas de Paulo a Agostinho
(Universidade Federal do Espírito Santo, 2023-07-28) Dias Júnior, João de Paula; Santos, Jorge Augusto da Silva; https://orcid.org/0000000161111693; http://lattes.cnpq.br/3088783002373165; https://orcid.org/0000-0001-6521-5916; http://lattes.cnpq.br/2701566440364325; Fernandes, Marcos Aurelio; https://orcid.org/0000-0001-8928-1723; http://lattes.cnpq.br/5481070831430679; Kirchner, Renato; https://orcid.org/0000-0003-3105-1401; http://lattes.cnpq.br/5079313371476684
This paper attempts at analyzing the Christian origins of facticity in the philosophical development of the young Heidegger, based on the first two lectures from GA 60, namely, the Introduction to the Phenomenology of Religion, from Winter Semester at Freiburg, in 1920-21, and Augustine and Neo-platonism, from Summer Semester, 1921, analyzing the early Christianity, more specifically, the Pauline situation to get to the Augustinian reflection about the trouble (molestia) and temptations as a constitutive way of factical life. Thus, this paper has the purpose of making a reflection about Heidegger’s phenomenological reading of some Pauline epistles and the Book X of Confessions, by Augustine, trying to recognize in Christianity a concrete example of the experience of facticity. To do so, first a general overview of what is the factical life and how Heidegger develops it in his first writings will be done, in order to bring a genealogy project of facticity and build a structural basis of concepts, so that it is possible to take the second step, which is analyzing the experience of factual life in the early Christianity looking for a clarification about the structures of the Christian facticity to, then, understand the factual experience situation of Paul, the Apostle. Martin Heidegger understands that the Apostle was able to clearly develop in his writings the original Christian experience, that is not objectively closed, but is given existentially in facticity. In the follow up, the next chapter purposes a glance at Heidegger’s phenomenological reading about Book X of Confessions by Augustine of Hippo. At this point, it is noted how the curare and the tentatio are given as a fundamental character of factical life, bringing the trouble (molestia) as the weight of life in front of existence and the temptations as a way of living the humanity authentically.
A hermenêutica da arte em Hans-Georg Gadamer
(Universidade Federal do Espírito Santo, 2013-08-20) Vasconcelos, Gustavo Caverzan; Araujo, Ricardo Corrêa de; Casanova, Marco Antonio dos Santos; Oliveira, Bernardo Barros Coelho de
It is intended to present the Hans-Georg Gadamer hermeneutics of art and his philosophical defense about the possibility of knowledge of the truth in the experience of dialogue lived by anyone that contemplates an artwork. It supports that it is possible highlighting, at first, the play concepts, of festival and symbol and then, the concepts of application and experience thought by Gadamer. In addition, it shows up how can we think the artwork as a image that presents, itself, a content of truth to the viewer, scoring the internal characteristics the way of being of the reproductive arts, statutory arts and literature. This way, it is observed the fundamental sense of participation of the people involved in the play of the art, namely, the artist creator, the representative agent and the viewer to finally show how the application of each one contribute to a significant development of the art hermeneutics. In that process, it stands out the importance of the contents legacy by the historical tradition and mobility in its facticity, to think about the hermeneutics exercises in accordance with the advent of the circumstantial truth in the presentation of the artwork.
A hermenêutica da obra de arte : a experiência da arte como um jogo infinito entre pergunta e resposta em Gadamer
(Universidade Federal do Espírito Santo, 2011-06-15) Bom Jesus Neto, Antonio Almeida do; Oliveira, Bernardo Barros Coelho de; Werle, Marco Aurélio; Souza, Thana Mara de
What does it mean to understand a work of art? Hermeneutics, according to Hans Georg Gadamer, is identified with a question and answer structure within a limit of a possible conversation. A work of art can be understood as a text. But is not any question that we can direct to the work. For this, we need to get the point. Would it be an appropriative method, ie, we win the issue and so we can dominate what is being worked at a work? The game concept is, in our project, reconsidered in the light of Gadamer. This will allow us to show the game of art where only participating of it, where gain the issue makes sense. Thus, articulating the notion of playing with the idea of "logic" question and answer we will endeavor to show such a possibility from the perspective of interpretative Gadamerian that one can understand the work of art as well as a text. Understanding and interpreting are not activities related only to texts but they both expresses daily experience of the human being in the world. When we understand the tradition, we don’t understand only a text, but also views and insights that can be recognized also as truths. Henceforth, we will try to investigate the phenomenon of understanding directing this to the experience of art. Understanding that never runs out. The work of art as a text challenges us to think about what kind of comprehension is this that is always renewed, that is always possible. What has the genuine work of art to participate (belong) to the inexhaustible "character" things? Thus the relevance of our study is to investigate exactly why, either ancient or modern art, the experience of such work goes over, in an essential way, the whole subjective horizon of interpretation of both the author (artist) and the receiver that takes the work. Where nobody has the last word.
A imagem: um real inexistente. A questão do discurso enquanto imagem no diálogo "Sofista" (240 a-244 a; 264 a-d) de Platão
(Universidade Federal do Espírito Santo, 2019-12-12) Araújo, Maraney Lopes; Santos, Jorge Augusto da Silva; https://orcid.org/0000000161111693; http://lattes.cnpq.br/3088783002373165; https://orcid.org/0000-0001-7425-8256; http://lattes.cnpq.br/2059652577693767; Murta, Claudia Pereira do Carmo; https://orcid.org/0000-0002-1553-8028; http://lattes.cnpq.br/7566489472975915
A imortalidade da alma no Kitāb Al-Nāfs (Livro da alma) de Ibn Sīnā (Avicena)
(Universidade Federal do Espírito Santo, 2015-07-20) Pereira, Evandro Santana; Costa, Ricardo Luiz Silveira da; Attie Filho, Miguel; Botter, Barbara
The current dissertation is a study concerning the immortality of the soul, following the doctrine presented in the Book of the Soul of Ibn Sina. In Chapter I, primary sources are used in order to establish a philosophical biography of the philosopher, in which are presented the political and cultural context of where he lived, the more relevant facts and issues of his life, in addition to his principal works. In Chapter II, there is a short description of the Arabian Philosophy – the falsafa –, and an analysis of the major inheritances received by the philosopher: Plato, Aristotle, Plotinus and Al-Farabi, and of some works and concepts of these. Next, the avicennian philosophical system is studied, in order to establish an indispensable theory base to explain the individual immortality of the human soul in the Book of the Soul. This analysis starts with his Metaphysics, with the notions of necessary existent and contingent existent, and the essence/existence distinction; passes through his Cosmology, with the emanation of the cosmic intelligences from the necessary existent down to the sublunary world, where man is; and reaches its Psychology, in which man is capable of uniting himself with the active intelligence, by the means of his intellective faculty. After that, comments are made about the influence of Ibn Sina in the History of Philosophy. In Chapter III, the Book of Healing and the Book of the Soul are described. Following that, the soul is analyzed in his homonym book, with his proving, definition, substantiality and faculties. In more detail, the question of the immortality of soul is studied in its particularities, foremost in Sections 2 and 4 of Chapter Five of the book in light.
A influência da mímese na hermenêutica simbólica de Paul Ricoeur
(Universidade Federal do Espírito Santo, 2015-02-27) Belo, Eliezer; Barreira, Marcelo Martins; Cavalieri, Edebrande; Albuquerque, Ivanhoé Leal
This work performs an approach about hermeneutics symbol in Paul Ricoeur from the perspective of mimesis. To understand the importance of mimesis in hermeneutics of Ricoeur was mythologically it was decided to develop the study to present the stages of development of thought. The first study was based on the knowledge of the philosophy of the will. This first part intended to show Ricoeur entry in the symbol field. In the following reflections and evolution of thought. Another part complements this first study and tried to assess the graft hermeneutic phenomenology. The proposition of this second part was to justify the existence of a symbol of hermeneutics, considering the symbol as a possible starting point for resolving the conflict of interpretations. Another study complemented this work is developed in three stages. First concentrated in the field of hermeneutics from developing a myth and symbol description, with the intention of presenting the range of dimensions of the symbols. Then was taken into account the evolution of speech to reach the write state. In that same set, the myth and the symbol are analyzed from the aspect of semantic mediation that is between them. Subsequent to this second part held a reflection on the time in Augustine and Aristotle, considering the dimensions of the experience of time. The study which end the study was conducted in three stages. The first and the second are devoted to the relationship between mimesis and muthos, and mediation between mimesis I and III by mimesis II. The second focused on the reader, and the figure of the world’s mimesis consolidation and setting, via reflection on the reference. The closure was left with the task of carrying out an assessment of the symbol of hermeneutics, considering aspects of mimesis, the action imitated in the narration, the time of the work and the reader's worlds and work as configuration elements.
A Interpelação de Althusser no Teatro do Direito Burguês
(Universidade Federal do Espírito Santo, 2024-02-26) Fialho, Noêmia Amélia Silveira; Bazzan, Marco Rampazzo; https://orcid.org/0000-0003-1194-8289; http://lattes.cnpq.br/1141684502513379; https://orcid.org/; http://lattes.cnpq.br/3358014375968600; Morfino, Vittorio; https://orcid.org/; http://lattes.cnpq.br/2749306963173611; Viparelli, Irene; https://orcid.org/; http://lattes.cnpq.br/3569280333087469
In 1970 Althusser presents his theory of Ideology and Ideological State Apparatuses as an ongoing research that aims to study the reproduction of bourgeois society in the twentieth century. To emphasize its material existence, the philosopher maintains that ideology challenges individuals in subjects. It presents the questioning of a policeman to any individual on the street as a theoretical scene precisely with the aim of illustrating the concrete functioning of ideology. Our research aims to study the figure of interpellation, on the one hand, deepening its metaphorical value through the Althusserian theorization of the materialist theater, and, on the other, questioning its critical force before the concepts of representation and subject of law based on the ideological dimension of the "Political State Apparatus". This study has as its firm point the centrality that Althusser recognizes to the legal ideology for the dominant ideology in bourgeois societies. This is because it is on the basis of bourgeois law that the subject embodies the determination of exchange value and has the ideals of equality and freedom grounded on the basis of exchange relations. The notions derived from the legal ideology also support the production of the political State Apparatus, as Althusser describes it in the 1976 Notes on the ISA, and support its reproduction, since political representation is legitimized because those represented are considered free and equal to elect their representatives (the ideological dimension of the social pact). Thus, citizens are, ultimately, considered authors of the acts practiced by the one who represents them (author-actor dialectic).
"A LEI E SUA ORDEM A DEUS SEGUNDO SANTO TOMÁS DE AQUINO: UM COMENTÁRIO À SUMMA THEOLOGIÆ, IA-IIÆ, Q. 90, A. 2 ."
(Universidade Federal do Espírito Santo, 2022-03-29) Lemke, Wilson Coimbra; Santos, Jorge Augusto da Silva; https://orcid.org/0000000161111693; http://lattes.cnpq.br/3088783002373165; https://orcid.org/; http://lattes.cnpq.br/; Costa, Ricardo Luiz Silveira da; https://orcid.org/; http://lattes.cnpq.br/; Boeira, Marcus Paulo Rycembel; https://orcid.org/; http://lattes.cnpq.br/
In Section I of Part II of the Summa Theologica, question 90, article 2, St. Thomas Aquinas deals with the final cause of the law, namely: the common good. Some scholars, however, considering the ethical and political theory of the great medieval Doctor a
A metafísica platônica como estética inteligível : considerações sobre imagem e visão nos livros VI e VII da República
(Universidade Federal do Espírito Santo, 2013-07-26) Curbani, Weriquison Simer; Francalanci, Carla Costa Pinto; Bocayuva, Izabela Aquino; Souza, Thana Mara de
The study consists in investigate how aesthetics arises as significant element in the composition of the dialogue Republic. It pass through this work from the beginning to the end framing it in beauty. There are numerous passages that mention the archaic poets, it worships the music, as such as the art of the Muses, the appreciation of harmony, the rhythm, by the symmetry, finally, there is in the Republic a aesthetic care in its architecture. Having seen, then, that beauty occupies a considerable place in the dialogue, we look for to valorize it and put it in evidence from the artistic, to forge a path that lead us, increasingly, to face the beauty as something not be restricted to the sensible, since, in the case of Plato, the most splendorous beauty lies in the intelligible. In this sense, we propose to take the Platonic metaphysics of ideas as intelligible aesthetic, aiming at finding the beautiful supersensible possible be contemplated by the philosophical intellect. This is because the ideas are intelligible forms , which are shown in its perfection to the intellect. The idea is essentially one single unit, which sensible objects imitates and receives their being. In other words, the idea is the aspect that presents itself to the intellect of the philosopher. And with this intention of taking Platonic metaphysics as intelligible aesthetic, we made some considerations about image and vision . Such considerations follow in the direction of taking the image as a metaphor, as figurative language used as a resource to leads to souls to intelligible, and vision, means intellectual vision, a philosophical view. Finally, we will see, the activity of philosopher will consist to see the beautiful scenery of the ideas in intelligible.
A passagem para o abismo entre a natureza e a liberdade : uma investigação do sistema crítico de Immanuel Kant a partir da Crítica da faculdade do juízo
(Universidade Federal do Espírito Santo, 2013-12-16) Sartori, Cedric Correvon; Souza, Thana Mara de; Figueiredo, Virginia de Araújo; Oliveira, Bernardo Barros Coelho de
A perpétua tensão da consciência: o conceito de revolta e seus deslocamentos
(Universidade Federal do Espírito Santo, 2021-12-16) Ribeiro, Rafael Lins; Souza, Thana Mara de; https://orcid.org/0000000284613239; http://lattes.cnpq.br/1586702620708183; https://orcid.org/0000-0002-5875-5380; http://lattes.cnpq.br/0972145508244599; Oliveira, Lucio Vaz de; https://orcid.org/0000-0001-8035-4228; http://lattes.cnpq.br/2010238378902683; Hilgert, Luiza Helena; https://orcid.org/0000-0003-1638-8225; http://lattes.cnpq.br/4817122367741300
In our work, we seek to demonstrate the emergence of the feeling of revolt in The Myth of Sisyphus, by Albert Camus, as well as its metaphysical unfolding and its variations in meaning in The Rebel: An Essay on Man in Revolt, by the same author. Enunciating revolt as an attitude of tension in the clash between the human being and the world, we examine this concept, addressing its unfolding within the horizon of Camusian thought. Following the lines of the philosopher's reasoning, starting with the rejection of suicide, our research also proposes to think of revolt as an authentic way for human beings to deal with the absurd, admitting the truth and responsibility for existence, without escapism, leaps of faith or fanaticism, in the search for the missing piece of the puzzle of the human condition.

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