Doutorado em Letras
URI Permanente para esta coleção
Nível: Doutorado
Ano de início: 2010
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1503
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Navegando Doutorado em Letras por Autor "Amaral, Flora Viguini do"
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- ItemAutoficção e justiça: da liberdade à responsabilidade do autor(Universidade Federal do Espírito Santo, 2020-02-20) Amaral, Flora Viguini do; Trefzger, Fabíola Simão Padilha; https://orcid.org/0000-0002-6361-7134; http://lattes.cnpq.br/7299183790903513; https://orcid.org/0000-0002-2213-6588; http://lattes.cnpq.br/5580083613537176 ; Delmaschio, Andréia Penha; https://orcid.org/0000-0002-6763-6412; http://lattes.cnpq.br/5899447868618380; Maciel, Keila Mara de Souza Araújo; https://orcid.org/0000-0001-9653-4565; http://lattes.cnpq.br/9480256079742777 ; Pizzol, Rafaela Scardino Lima; https://orcid.org/0000-0002-6025-1026; http://lattes.cnpq.br/8597229308090828; Martinelli Filho, Nelson; https://orcid.org/0000-0002-6956-5400; http://lattes.cnpq.br/9186790476855298The autofiction has attracted the attention of a range of scholars since the term was coined in 1977 by french professor and writer Serge Doubrovsky. In the last decades, the main researches about the device include the study of themes such as gender, reception and aesthetic effects in works read as autofictions. However, the autofiction also raises ethical questions: in contemporary times, cases of people who resort to justice proliferate because they feel that their right to privacy has been violated in novels whose author reveals their own lives and those of others. In these quarrels and controversies involving autofiction works there are writers on the one hand who demand their right to expression and, on the other, people portrayed in these novels who do not want to have their intimacy exposed. Assuming the importance of a discussion around these ethical issues and considering that this theme is still incipiently discussed in brazilian academic production, this thesis intends to investigate how justice systematizes and evaluates the writer's attitude in these processes. For the development of this investigation, i will consider the following questions: is there censorship in recent literary production? Does writing about others, starting with the closest ones, about which great comments are made, require the writer's responsibility? How to narrate the other in works read from the perspective of autofiction? These questions will be related to french novels L‟Inceste (1999) and Les Petits (2011), by Christine Angot, Édouard Louis‘s Histoire de la violence (2016), and Serge Doubrovsky‘s Le Livre brisé (1989); as well as Ricardo Lísias‘ brazilian Divórcio (2013) and Bernardo Kucinski‘s Os Visitantes (2016), looking for a detailed analysis of how writers place themselves and others on the scene, adjusting the focus to purposes of these choices and their consequences both for the life of the author and for the lives of those involved. To this end, i will use a theoretical contribution regarding the topics discussed. In summary: a) to address the notions of author: Roland Barthes, Michel Foucault, Giorgio Agamben and Roger Chartier; b) Regarding the responsibility of the writer: Gisèle Sapiro and Agnès Tricoire; c) about literature as an institution and the freedom it provides for ―to say everything‖: Jacques Derrida; and d) regarding ethical action: Marilena Chaui.
- ItemLiteratura migrante na França: a premiação de Chanson Douce, de Leïla Slimani, e de Petit Pays, de Gaël Faye, pela Academia Goncourt(Universidade Federal do Espírito Santo, 2021-10-29) Meireles, João Ricardo da Silva; Siega, Paula Regina; https://orcid.org/0000-0002-6016-2445; http://lattes.cnpq.br/4593713985549602; https://orcid.org/0000-0003-3798-9927; http://lattes.cnpq.br/2624251121831952; Ferreira, Caroline Barbosa Faria; https://orcid.org/0000-0002-1958-681X; http://lattes.cnpq.br/3734032361945707; Rocha, Marlucia Mendes da; https://orcid.org/0000-0001-9509-2478; http://lattes.cnpq.br/1646027776065067; Vermes, Viviana Monica; https://orcid.org/0000-0002-4077-3302; http://lattes.cnpq.br/3806495173897941; Oliveira, Ester Abreu Vieira de; https://orcid.org/0000-0001-9959-1418; http://lattes.cnpq.br/3293718089972581; Amaral, Flora Viguini do; https://orcid.org/0000-0002-2213-6588; http://lattes.cnpq.br/5580083613537176This thesis analyzes the historical constitution of France and how its people see themselves and see internal and external migratory movements, especially the French vision of migration coming from underdeveloped African and Asian countries, many of them former colonies of exploitation of the French empire. This analysis starts from the questioning about what it is to be French and what are the historical and political criteria that guarantee that something or someone becomes French. It also analyzes the constitution and importance of literary prizes for the French and French-speaking reading community. Among the literary awards and academies, the Goncourt Academy stands out, a century-old institution responsible for annually moving hundreds of bookstores, publishers, writers, professors, journalists, politicians and readers around the autumn awards. In 2106, the most outstanding awards went to two young writers, Leïla Slimani and Gaël Faye. Slimani, a Maghreb writer from Morocco, received the Goncourt Grand Prize for her work Chanson Douce (2016), which portrays the life of the small French middle class of the Massé, who hire a traditional French nanny who, after winning the affection of the family, murders the children. two children she takes care of. With a third-person narrative, the work examines the family's daily life and how structural racial prejudice influenced the decisions of the Massé couple and how the other nannies in the neighborhood, mostly immigrants, related to each other. Faye, winner of the Goncourt Prize for French High School Students, receives the award for her first book Petit Pays (2016). A self-fictional work, it has the look of the narrator Gabriel, who narrates the events that preceded the Tutsi massacre in Rwanda with lightness and with the purity of the child's gaze. The massacre was recognized as genocide months after its beginning, in 1994. To analyze the importance and history of the awards, the extensive work of Sylvie Ducas (2010, 2013, 2019). To analyze the migrant literature in its various contexts, the studies of professor Oana Sabo (2018) will be used. To present a panoramic view of the migratory history in France and the concepts involving migration in all its facets, the works of Elen Declerq (2011), Bruno Dumézil (2017) and Priscila Fergusson (1991) will be used. Other theorists and scholars will also be added to the work.