Mestrado em História

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17523

Nível: Mestrado Acadêmico
Ano de início: 2003
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 1585 de 20/06/2003).
Publicado no DOU em 23/05/203.
Parecer CNE/CES 083/2003.
Periodicidade de seleção: Anual
Área(s) de concentração: História Social das Relações Políticas
Url do curso: https://historia.ufes.br/pt-br/pos-graduacao/PPGHIS/detalhes-do-curso?id=1411

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Navegando Mestrado em História por Autor "Alves, Gabriela Santos"

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    A utopia da ordem: o ressentimento castrense em relação às acusações sobre o exercício do poder durante o movimento civil-militar no Brasil (1964-1974)
    (Universidade Federal do Espírito Santo, 2011-07-01) Santos, Thiago Dias; Mendonça, Carlos Vinícius Costa de; Dadalto, Maria Cristina; Alves, Gabriela Santos; Lopes, José de Souza Miguel
    The respective work has as prism to analyze a series of testimonies given by military officers who participated in the political events in Brazil that culminated on the 31st of March of 1964. The deponents had a relevant role during the 21 years of the military government. The goal of the analysis concentrates on notes that exhibit throughout the testimonies, the resentments that the men in uniform exposed in their words. Resentments intensified mostly in the anticommunism and in the bad reputation the military forces had before the society after the end of the regime. The work is structured in showing how it began in the Brazilian army the role of an institution that was supposed to practice a direct political participation in the country, besides seeing itself like the source of moral reserve of the nation and guardian of the precepts of patriotism and nationalism. Being this done to demonstrate that the intervention which occurred in 1964 was not a result of an immediacy or by foreign orders in collusion with the national capital, where the soldiers would be mere playthings. The intervention needs to be analyzed from an optics that realizes the motives and intentions that made the military forces deprive the president John Goulart from the power. Among the testimonies it will also be analyzed the question of the military officers’ memory regarding subjects directly connected to the period: the reason of the destitution of João Goulart, the repression to the opponents, the question of torture and other recurrent subjects to the analyzed period. Among the testimonies it will also be analyzed the question of the memory of the military officers regarding subjects directly connected to the period: the reason of deposing João Goulart, the repression to the opponents, the question of torture and other recurrent subjects to the analyzed period. The conclusion of the work will be originated from a direct analysis of the testimonies where it is exposed in an explicit or implicit way, the resentments of the military officers regarding the occurrences before and after the events of the 31st of March of 1964.
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    Fotografia e história: uma análise da interventoria de João Punaro Bley no Espírito Santo através das imagens publicadas na Revista Vida Capichaba nos anos 1930, 1935, 1937 e 1942
    (Universidade Federal do Espírito Santo, 2015-05-25) Guerra, Marcela Camporez; Alves, Gabriela Santos; Ribeiro, Luiz Cláudio Moisés; Rodrigues, Márcia Barros Ferreira; Honorato, Cezar Teixeira
    By placing new characters into the 1930’s political structure, Getúlio Vargas tries to defend his interests and control the brasilian states. Among these new figures, the stakeholders highlight Captain João Punaro Bley: an outsider who comes to Espírito Santo in a period of transition, with no recognition of the population that he would be lidering, and yet manages to remain in local government by over twelve years. Through photographs conveyed in the illustrated magazine Vida Capichaba into four years that we thing are important in his government (1930, 1935, 1937 and 1942), is expected to find traces of how these images can be considered political control tools used by Bley to spread your image, and win the support of spirit-Santo's society. The relationship between photography and history will be reviewed, such as an overview of the context of the time, and a look at the magazine Vida Capichaba as a leading vehicle within the society was.