O dualismo grafite vs pichação : arte grafite, tagging, pichação e pixo
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Data
2015-07-10
Autores
Araújo, Marcos Antônio Cruz de
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Universidade Federal do Espírito Santo
Resumo
With this research, we have sought to explore the discursivity and historicity of Graffiti by means of the discursive genre known as tag, which is a kind of stylized signature, weaving a discourse analysis over the concrete enunciates found and collected as corpus throughout the region of Grande Vitoria – ES. This procedure has been brought forth with the purpose of understanding how Brazilian society has comprised the dicotomy “Grafite/Pichação” within its discursive formation. Key-words of Discourse Analysis (DA) such as ideology, subject, history and discursive memory have served us as theoretical support, as well as to compare it with a previous analysis about the ocupation-invation opposition. The relation of the tag genre with the concepts that were mentioned above - which took place along with the field research (interviews and gathering of textual material with the local graffiti scene) - have allowed us to discern how a discursive analysis differs from the common sense built around such a dicotomy, which materializes on the enunciation plan a conflict that exists on the ideological plan. Summarily, as we put through the lens of analysis a historical and discursive point of view about the subject, we have exposed the perspective from certain social movements that have graffiti-tagging as a practice, disagreeing from such an opposition between those two terms.
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Pichação , Graffiti , Tag , Discourse , Ideologia , Ideology , História , History , Pixo