Arte postal na obra objetos deslocados de Cristiane Reis: uma análise discursiva crítica da violência contra mulheres no Espírito Santo
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Data
2022-12-20
Autores
Fonseca, Renata Barreto da
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Universidade Federal do Espírito Santo
Resumo
Data from the Atlas of Violence for 2019, 2020, 2021 indicate that Espírito Santo led the ranking of the Southeast Region in statistics on violence against women from 2007 to 2019. And these cases of violence are constantly reported by the local media. This scenario motivated the visual artist Cristiane Reis to produce her art, which makes up the research corpus of this thesis. The series is titled Displaced Objects, because everyday objects such as: helmet, fork and chair were used to attack and kill women. This series is made up of eighteen postcards, presenting narratives of violence against women in Espírito Santo, based on widely circulated news in the state. The artist was based on the concept of Mail Art proposed by Bruscky (2006), bringing the following precepts: inform, denounce and protest. We start from the following question: how do postcards intervene, in this context of violence, with news that naturalizes these practices? Thus, our general objective is to examine, from a critical perspective of the discourse, how the violence of men against women in ES is represented in the postcards. We have as specific objectives: to identify the ideological strategies and discursive structures used to represent social actors and social action in cases of violence against women in ES; to analyze the multimodal resources used in the representation of the images and to verify how the change of function of the objects took place. To achieve the objectives of this thesis, we use a multidisciplinary theoretical-methodological apparatus that comprises research and theories on violence against women and patriarchy, through the studies of Saffioti (2001, 2004), Izumino and Santos (2005), Bourdieu (2002), Lerner (2019), Solnit (2017) and Walker (2009). To address gender issues, we draw on the works of: Scott (1995), Butler (2013, 2018), Lívia e Hall (2010), Adichie (2015, 2017), Despentes (2016) and Connell and Pearse (2015). Questions about postcards led us to the following categories of analysis: multimodality, referents, social actors, social action and ideology. We adopted the theoretical contribution of Critical Discourse Studies (CSD) with a Sociocognitive basis, considering the works of van Dijk (1999, 2006, 2010, 2012a, 2012b, 2013, 2014, 2016) in dialogue with Kress and van Leeuwen (2006). The results of the analyzes showed that the reported cases of violence occurred in the context of an affective-marital relationship, marked by men and women with their social representations of aggressors and victims respectively. The anaphoric process and the multimodal features indicate the object's function change. All the postcards have violent action in common, reinforcing the notion of the social actor's agency. Despite reproducing violence against women in the narratives, the postcards are an art of denunciation. Therefore, they are a manifesto, carrying all the contradictions of a political art.
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Arte postal , Violência contra mulheres , Feminicídio , Patriarcado , Estudos Críticos do Discurso