Mestrado em Letras
URI Permanente para esta coleção
Nível: Mestrado Acadêmico
Ano de início: 1999
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1510
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- ItemO epos histórico da Farsália, de Lucano : Sula e Mário como exempla(Universidade Federal do Espírito Santo, 2024-04-30) Coutinho, Thayrynne de Faria; Leite, Leni Ribeiro ; http://orcid.org/0000-0001-6600-7692; http://lattes.cnpq.br/1222376244857241; https://orcid.org/0000-0002-3966-4678; http://lattes.cnpq.br/0275512140452776; Santos, Gilson Charles dos ; Vieira, Brunno Vinicius GonçalvesLucan’s epic, Civil War or Pharsalia, narrates the Civil War between Julius Caesar and Pompey. As did Ennius in his Annals and Nevius in his Punic War, Lucan sings in his epic about a historical event, the military deeds in war, and in doing so, he aligns his poem with the tradition of Roman historical epic. The boundaries that distinguish a historiography composition from a poetic one are historically determined, which means that the characteristics attributed to a certain field were not always read as inherent indices of these works. As a genre concerned with recording the deeds of the illustrious Romans generals in battle, we understand that historiography works and poetic ones share a close relationship. Therefore, we aim to discuss how the poet Lucan wrote his historical epic through a narrative that incorporates rhetorical-discursive techniques that are dear to the historiography discourse. Thus, we analyze the relationship between Pharsalia and other epics and historiography works in order to discuss Lucan’s historical epic poetically and also historically as we also aim to identify in Lucan’s epic the presence of recurring historical procedures in historians considered models, such as Livy, Sallust, and Tacitus. We understand that these procedures featuring in Pharsalia contribute to create a narrative texture that brings lucanian verses closer to a historiography work. To deepen this discussion, we investigate how the poet constructs the account of the First Civil War (88 BCE), whose main characters are Cornelius Sulla and Gaius Marius, as exemplary narrative and how this account is incorporated in his epic according to how the historians report on a past event to establish a benchmark for the deeds of the generals Julius Caesar and Pompey. We verify that Lucan employs techniques used by historians, primarily Livy, to build his account of the First Civil as a sign for the war between Julius Caesar and Pompey
- ItemA retórica epidítica na elaboração do caráter de satã em Paradise Lost, de John Milton(Universidade Federal do Espírito Santo, 2023-06-05) Bragança, Fernanda Teixeira; Leite, Leni Ribeiro; http://orcid.org/0000-0001-6600-7692; http://lattes.cnpq.br/1222376244857241; https://orcid.org/0000-0003-1287-3338; http://lattes.cnpq.br/5061866598329024; Silvares, Lavinia; https://orcid.org/0000-0002-3781-1574; http://lattes.cnpq.br/1636487120553467; Sartorelli, Elaine Cristine ; https://orcid.org/0000-0002-9541-2432; http://lattes.cnpq.br/0919642492976921Paradise Lost (1667) is a biblical epic written by the English poet and political figure John Milton. It provides a wide arena to question and discuss theological, philosophical and political issues present in literary works of the 17 th century Early Modern period. We analyse Satan’s heroism and question certain attributes commonly associated with the representation of virtue and vice. We take into account which aspects traditionally employed in the formation of classical heroism, as given by Nagy (2017), Curtius (1979) and Toohey (2004), are used in the construction of Satan’s character. We examine how an idea of heroism is undermined in face of the theme of the poem and the qualities of a Christian hero, as they are described by Lewalski (1966). We focus on books I and II, which are paramount in first establishing the dynamics between Satan and the narrator with regards to the formation of Satan’s character. Stanzas that indicate the kind of narrative and interpretation of Satan’s character that the narrator promotes are pointed out, as well as speeches 1.84-124 & 2.430-466 as examples of the kind of éthos that Satan promotes. We argue that Satan’s character is built via a complex combination of mechanisms seen in forming a specific kind of éthos through speech, but also through interventions from the narrator that destabilise the impression of heroism and leadership upheld by Satan. In this dynamic, both Satan and the narrator have uneven access to certain stages of discourse organisation: Satan tends more towards mechanisms found in inventio, dispositio and elocutio, whereas the narrator dominates actio. The rhetorical devices that pertain to each of those stages are described in epideictic manuals such as Menander’s Peri epideiktikon, Hermogenes’ Peri ideon, and Fraunce’s The Arcadian Rhetorike, which accounts for the proper use of voice and action in speech. At last, we support the idea that the presence of heroic qualities in the formation of Satan’s character allows for the reader to question certain attributes which are generally seen as virtuous; it also enables different types of approach to the Miltonian poem and to Satan’s role therein, both of which enrich the general reading experience of the poem.
- ItemCecília Meireles nos livros didáticos(Universidade Federal do Espírito Santo, 2024-03-15) Crispim, Verena Werneck Alvarenga; Salgueiro, Maria Amelia Dalvi; https://orcid.org/0000-0002-8729-2338; http://lattes.cnpq.br/; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000-0003-3817-4738; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Caser, Maria Mirtis; https://orcid.org/; http://lattes.cnpq.br/; Yokozawa, Solange Fiuza Cardoso; https://orcid.org/; http://lattes.cnpq.br/A detailed analysis of textbooks over the last six decades reveals a consistent pattern in the presentation of the figure of the poet Cecília Meireles. Most of these educational materials portrayed Cecília as a spiritualist, intimate, symbolist, self-reflective and delicately feminine poet, reinforcing characteristics that limit the understanding of the thematic and stylistic diversity of her poetry, mainly highlighting the sensitivity and musicality of her work and framing it into predefined labels that did not fully explore the breadth and boldness of his literary production. However, this research highlights that Cecília Meireles was a versatile author who also explored more audacious themes and structures in her poetry, referencing her time and the historical events she experienced. Although there has been an evolution in the approaches of more recent textbooks, which adopted a less framing and more reflective stance in relation to authors and literary aesthetic movements, it is argued that the tendency to maintain a traditional image of the poet Cecília Meireles still persists, often restricting the perception of his literary legacy completely.
- ItemPoesia e política: uma leitura de quatro antologias poéticas da revista Cult(Universidade Federal do Espírito Santo, 2024-07-05) Villaça, Francielle Timotheo; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000-0003-3817-4738; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Martinelli Filho, Nelson; https://orcid.org/; http://lattes.cnpq.br/; Paula, Marcelo Ferraz de; https://orcid.org/; http://lattes.cnpq.br/Between 2019 and 2021, Cult magazine published four poetic anthologies that can be read through a unifying perspective: Poemas para ler antes das notícias (2019), Quando a delicadeza é uma afronta (2019), Poemas para fazer o luto desse tempo (2020), Sob um sol escuro também se escreve (2021). This dissertation focuses on these four volumes and argues that they can be seen as a poetic and political panorama of Brazil - this view is supported both by a macro-dimensional reading (through the curators texts that introduce each volume) and by a micro-sized reading (which incorporates a verse-by-verse analysis of some of the poems from the four anthologies). The work also mentions other initiatives to bring together poems that – in a similar way to the Cult quartet – are explicitly linked to a concern with the Brazilian political scenario. Anthologies are mentioned that have as their guiding thread important events in national history, and which, consequently, raise the discussion about the functions of the act of collecting poems. Traditionally associated with the idea of collection (TONON, 2009), the poetry anthologies put on display by this work show that poetry anthologies can have other objectives than ranking and valuing poets and poems. Among these other possible functions are documenting, archiving and bearing witness to the history of a country.
- ItemMacunaíma, de Mário de Andrade : uma leitura em face da teoria crítica de Walter Benjamin(Universidade Federal do Espírito Santo, 2024-03-12) Deleprani, Felício Oscar; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Orientador1; https://orcid.org/; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; 1º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 2º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/This research aims to address the following research question: to what extent does Mário de Andrade's work Macunaíma: o herói sem nenhum caráter incorporate the experience (Erfahrung) mentioned by Walter Benjamin in the essay The Storyteller: considerations about the work of Nikolai Leskov. In an attempt to answer this question, the main objective was established as the analysis of the Mário de Andrade's rhapsody in the context of Walter Benjamin's critical theory. Methodologically, three specific stages were delineated for the research. The first involved a survey in the Biblioteca Nacional de Teses e Dissertações (BDTD) database to understand the current state of research addressing the connections between Mário de Andrade and Walter Benjamin. In the second stage, detailed in the second chapter of the dissertation, the aim was to establish elective affinities between the two authors based on their readings of figures such as Sigmund Freud and Charles Baudelaire. Lastly, in the third stage, the objective was to extract the analytical categories present in The Storyteller: considerations about the work of Nikolai Leskov and conduct an analytical reading of Macunaíma in light of these categories. The finds indicate that the analyzed rhapsody incorporates, as a condition for the elaboration of experience (Erfahrung), "orality" (Mündlich), narrative rooted in the "people" (Volk), "tedium" (Langeweile), and the "art of giving advice" (Rat Geben). These results suggest that in Macunaíma, Mário de Andrade seeks an immersion in Brazil's pre-industrial era to incorporate this experience (Erfahrung) into the 20th-century modernist aesthetic. This updating expands the understanding of the impact that Mário de Andrade's literary work had on the formation of the Brazilian people's identity