Mestrado em Letras
URI Permanente para esta coleção
Nível: Mestrado Acadêmico
Ano de início: 1999
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1510
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- ItemCecília Meireles nos livros didáticos(Universidade Federal do Espírito Santo, 2024-03-15) Crispim, Verena Werneck Alvarenga; Salgueiro, Maria Amelia Dalvi; https://orcid.org/0000-0002-8729-2338; http://lattes.cnpq.br/; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000-0003-3817-4738; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Caser, Maria Mirtis; https://orcid.org/; http://lattes.cnpq.br/; Yokozawa, Solange Fiuza Cardoso; https://orcid.org/; http://lattes.cnpq.br/A detailed analysis of textbooks over the last six decades reveals a consistent pattern in the presentation of the figure of the poet Cecília Meireles. Most of these educational materials portrayed Cecília as a spiritualist, intimate, symbolist, self-reflective and delicately feminine poet, reinforcing characteristics that limit the understanding of the thematic and stylistic diversity of her poetry, mainly highlighting the sensitivity and musicality of her work and framing it into predefined labels that did not fully explore the breadth and boldness of his literary production. However, this research highlights that Cecília Meireles was a versatile author who also explored more audacious themes and structures in her poetry, referencing her time and the historical events she experienced. Although there has been an evolution in the approaches of more recent textbooks, which adopted a less framing and more reflective stance in relation to authors and literary aesthetic movements, it is argued that the tendency to maintain a traditional image of the poet Cecília Meireles still persists, often restricting the perception of his literary legacy completely.
- ItemPoesia e política: uma leitura de quatro antologias poéticas da revista Cult(Universidade Federal do Espírito Santo, 2024-07-05) Villaça, Francielle Timotheo; Salgueiro, Wilberth Claython Ferreira; https://orcid.org/0000-0003-3817-4738; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Martinelli Filho, Nelson; https://orcid.org/; http://lattes.cnpq.br/; Paula, Marcelo Ferraz de; https://orcid.org/; http://lattes.cnpq.br/Between 2019 and 2021, Cult magazine published four poetic anthologies that can be read through a unifying perspective: Poemas para ler antes das notícias (2019), Quando a delicadeza é uma afronta (2019), Poemas para fazer o luto desse tempo (2020), Sob um sol escuro também se escreve (2021). This dissertation focuses on these four volumes and argues that they can be seen as a poetic and political panorama of Brazil - this view is supported both by a macro-dimensional reading (through the curators texts that introduce each volume) and by a micro-sized reading (which incorporates a verse-by-verse analysis of some of the poems from the four anthologies). The work also mentions other initiatives to bring together poems that – in a similar way to the Cult quartet – are explicitly linked to a concern with the Brazilian political scenario. Anthologies are mentioned that have as their guiding thread important events in national history, and which, consequently, raise the discussion about the functions of the act of collecting poems. Traditionally associated with the idea of collection (TONON, 2009), the poetry anthologies put on display by this work show that poetry anthologies can have other objectives than ranking and valuing poets and poems. Among these other possible functions are documenting, archiving and bearing witness to the history of a country.
- ItemMacunaíma, de Mário de Andrade : uma leitura em face da teoria crítica de Walter Benjamin(Universidade Federal do Espírito Santo, 2024-03-12) Deleprani, Felício Oscar; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Orientador1; https://orcid.org/; http://lattes.cnpq.br/; Orientador2; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; 1º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 2º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/This research aims to address the following research question: to what extent does Mário de Andrade's work Macunaíma: o herói sem nenhum caráter incorporate the experience (Erfahrung) mentioned by Walter Benjamin in the essay The Storyteller: considerations about the work of Nikolai Leskov. In an attempt to answer this question, the main objective was established as the analysis of the Mário de Andrade's rhapsody in the context of Walter Benjamin's critical theory. Methodologically, three specific stages were delineated for the research. The first involved a survey in the Biblioteca Nacional de Teses e Dissertações (BDTD) database to understand the current state of research addressing the connections between Mário de Andrade and Walter Benjamin. In the second stage, detailed in the second chapter of the dissertation, the aim was to establish elective affinities between the two authors based on their readings of figures such as Sigmund Freud and Charles Baudelaire. Lastly, in the third stage, the objective was to extract the analytical categories present in The Storyteller: considerations about the work of Nikolai Leskov and conduct an analytical reading of Macunaíma in light of these categories. The finds indicate that the analyzed rhapsody incorporates, as a condition for the elaboration of experience (Erfahrung), "orality" (Mündlich), narrative rooted in the "people" (Volk), "tedium" (Langeweile), and the "art of giving advice" (Rat Geben). These results suggest that in Macunaíma, Mário de Andrade seeks an immersion in Brazil's pre-industrial era to incorporate this experience (Erfahrung) into the 20th-century modernist aesthetic. This updating expands the understanding of the impact that Mário de Andrade's literary work had on the formation of the Brazilian people's identity
- ItemA morte na poética neolatina setecentista: os gêneros retórico-poéticos e sua recepção nos epigramas fúnebres de relação panegyrica(Universidade Federal do Espírito Santo, 2023-04-27) Silva, Ruth dos Santos; Leite, Leni Ribeiro; https://orcid.org/0000-0001-6600-7692; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Lima, Ricardo da Cunha; https://orcid.org/; http://lattes.cnpq.br/; Felipe, Cleber Vinicius do Amaral; https://orcid.org/; http://lattes.cnpq.br/The present dissertation aims at analyzing twelve neo-latin epigrams of Relação Panegyrica das honras funeraes, às memórias do muito alto, e muito poderoso senhor Rey fidelissimo D. João V , Consagrou a Cidade da Bahia Corte da America Portugueza: escrita, e dedicada ao excellentissimo, e Reverendissimo senhor D. Joseph Botelho de Mattos, Arcebispo da Bahia, primaz dos Estados do Brasil, do Conselho de Sua Magestade, published in 1753, and organized by João Borges de Barros, identifying which elements of the epideictic and epigrammatic genres were received from classical Antiquity. The Relação Panegyrica is a funeral and multilingual text of praise produced in Portuguese America. Initially, we discuss the dynamic between the Latin and vernacular languages in the Early Modern Period considering Europe and also the other territories around the globe, as well as the social-political context of Portugal and the Luso-Brazilian lands during the government of D. João V and the Neo-Latin literate practices of the 18th century. Then, we argue about the reception of epideictic and epigrammatic genres considering the precepts of Antiquity and the reformulation of their topics within the modern poetical precepts. For the discussion about what was understood as poetry in the Early Modern Era, we used the manuals of modern poetics by Freire (1759), Luzan (1737), Vossio (1647), and Grácian (1725). And finally, we discuss the relações as a genre as well as the concept of death in the 18th century and its relation with epideictic rhetoric. We also analyzed the reception of epigrammatic categories in selected poems from Relação Panegyrica such as hyperbole, ekphrasis and metaphor. The research concludes that the reception of texts and rhetorical devices from classical antiquity is not only an imitation, but also a rhetorical performance that demonstrates which approximations and distances are made between the ancient material and the modern poetic matter. Furthermore, we realized that these elements are used both for the praise of D. João V and also to help build a virtuous image of the king and for the narrative effect of the monarch's funeral. In the appendices, we present the full translation of the Latin epigrams.
- ItemVozes negras em movimento: reivindicações feministas e ancestrais nas performances do coletivo “Sarau das Pretas”(Universidade Federal do Espírito Santo, 2022-04-01) Perozzo, Stefania; Co-orientador1; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador2; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador3; https://orcid.org/; http://lattes.cnpq.br/; Co-orientador4; ID do co-orientador4; Lattes do co-orientador4; Schiffler, Michele Freire; https://orcid.org/; http://lattes.cnpq.br/; Castagna, Vanessa; https://orcid.org/; http://lattes.cnpq.br/; https://orcid.org/; http://lattes.cnpq.br/; Caser, Maria Mirtis; https://orcid.org/; http://lattes.cnpq.br/; Girotto, Alice; https://orcid.org/; http://lattes.cnpq.br/; 3º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 4º membro da banca; http://lattes.cnpq.br/; 5º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 6º membro da banca; https://orcid.org/; http://lattes.cnpq.br/; 7º membro da banca; https://orcid.org/; http://lattes.cnpq.br/This research aims to analyze the literary and artistic production of the group Sarau das Pretas, created in Sao Paulo in 2016. It is composed by four black women and a trans man, all of them coming from the marginal spaces of the suburbs; the group is an interesting evidence of the actual landscape of Brazilian marginal literature’s dynamicity, particularly the feminine and black one. Its art combines many artistic languages like poetry, dance, and music. It offers considerations about black women’s identity, guided by themes such as the body, the feminine, the ancestry and the Afro-diasporic culture; it also reports the racism and the sexist violence in the Brazilian society. The Sarau is therefore configured as a space of black women’s protagonism through the stimulation of their literary and artistic production and the creation of an environment based on listening, dialogue, sharing and empowerment. Besides highlighting the group’s artistic quality – examined through the lenses of performance studies–, the objective of this research is underlining its political, social and cultural demands, as well as its messages of pride, respect and care for black identity.