Mestrado em Letras

URI Permanente para esta coleção

http://repositorio.ufes.br/handle/10/17526

Nível: Mestrado Acadêmico
Ano de início: 1999
Conceito atual na CAPES: 5
Ato normativo: Homologado pelo CNE (Portaria MEC Nº 609, de 14/03/2019).
Publicação no DOU 18 de março de 2019, seç. 1, p.136 - Parecer CNE/CES nº 487/2018, Processo no 23001.000335/2018-51)
Periodicidade de seleção: Semestral
Área(s) de concentração: ESTUDOS LITERÁRIOS
Url do curso: https://letras.ufes.br/pt-br/pos-graduacao/PPGL/detalhes-do-curso?id=1510

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Agora exibindo 1 - 11 de 11

A alteridade em Clarice Lispector
(Universidade Federal do Espírito Santo, 2014-06-09) Guedes, Helena Cirelli; Almeida, Júlia Maria Costa de; Ramalho, Christina Bielinsky; Soares, Luís Eustáquio
Realizing the theme of the otherness in the fiction writed by Clarice Lispector, this study analyses it in the novel The passion according to G. H. and in the short story “A mensagem” with the support of the existentialist philosophy based on Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon and Søren Kierkegaard and also in the theorists whose works which would probably be nowadays the development of these reflections about the other, among which was chosen Pierre Bourdieu, Kwame Anthony Appiah and Jacques Derrida.
Diz-me com quem andas... intertexto e intertextualidade : uma leitura do romance Borges e os orangotangos eternos de Luis Fernando Veríssimo
(Universidade Federal do Espírito Santo, 2009-12-15) Magalhães Filho, José Soares de; Soares, Luis Eustáquio; Almeida, Júlia Maria Costa de; Rebouças, Moema Lúcia Martins
Intertext is the subject that leads this research. A proposition for the notion is made, in opposition to the ideia of intertextuality. Propositions for the two notions are pointed, revealing that the concepts are not so easily placed. Freudian theory of remembrance process is used to question the authorship. It proposes teh concept of the intertext as memory for literature. On a second level, the basis of detective story as a narrative genre is approached historically, its origins localized in Edgar Allan Poe‘s 19th century, a time of positivist ideas, throwing a look at the american noir novels and its influence over brazilian detective stories. Borges e os orangotangos eternos (2002), a novel by Luis Fernando Verissimo is analized enphfasising on the intertexts. The novel has argentinean novelist Jorge Luis Borges as a central charachter and brings his most notorious themes, general references to general literature and to detective stories, as well as to the author‘s process of making literature. It proposes the intertext as an influence to the subject, as well as a means of looking for the ideological intentions brought by a text.
Entrelaçamento de vozes em Vidas secas de Graciliano Ramos
(Universidade Federal do Espírito Santo, 2012-12-13) Sandrini, Elizabete Gerlânia Caron; Soares, Luis Eustáquio; Oliveira, Anelito Pereira de; Almeida, Júlia Maria Costa de
With the corpus of research the novel Vidas Secas (Barren Lives) of Graciliano Ramos, this paper aims to undertake a critical-analytical reflection that seeks to show how different voices and oppose social dialogue in this tissue polyphonic work which consists basically of a monologue interior. The object of study, the character Fabiano, his thoughts have reproduced authentically, which is guided by the narrator in free indirect discourse to give voice to this being almost "speechless". Taking up this in view, through an analysis that weaves the teachings of the Russian theorist Mikhail Bakhtin about the polyphonic novel and the French duo Gilles Deleuze and Félix Guattari on the theory of manifolds, relations dialogical between Fabiano and other social voices of the novel will be presented.
Interseções entre literatura e cinema em Confissões de Ralfo
(Universidade Federal do Espírito Santo, 2011-08-26) Martelo, Geovana da Silva; Almeida, Júlia Maria Costa de; Azevedo Filho, Deneval Siqueira de; Alves, Gabriela
This study is intended to focus on the common capability of literature and cinema in producing narratives, for in the dynamics of storytelling on these two arts there seems to be an interchange that creates renewed forms of narration strategies. In order to set forth this study, a perspective that takes narrative s material supports involved in these two arts will be utilized. Such an approach considers literature as a system that embodies the phenomenon of narration. Within this perspective, the literary system is interrelated to other systems, assuming new outlines. As from these points of view, it is possible to defend that since the 19th century literature has been surrounded by the context of the new oncoming medias which have reached, in modern age, remarkable importance. For that reason, the frontiers between literature and cinema have dissolved even more, resulting in renewed forms of textual tessitures of theirs narrations. Thus this study intends to draw an approximation between expressive means of literature and of cinema so as to investigate the reflexes of the intersection of these two medias in the novel Confissões de Ralfo: Uma autobiografia imaginária by the author Sérgio Sant Anna
Mandrake e o hard-boiled: questões de masculinidade(s) entre Rubem Fonseca e a literatura policial norte-americana
(Universidade Federal do Espírito Santo, 2011-03-28) Paradizzo, Felipe Vieira; Almeida, Júlia Maria Costa de; Salgueiro, Wilberth Claython Ferreira; Albuquerque Júnior, Durval Muniz de
Taking into consideration the important contribution of literary and cultural studies to the deepening of debate about North-American detective narratives, this study intends to assemble singularities, disconnections and contemporary masculinity issues associated with hard-boiled literature, aiming to substantiate an investigation of its influence in Rubem Fonseca‘s work. In order to do so, we take as a starting point the studies of hegemonic masculinities, by R.W. Connell and her commentators, and the analysis of three of the genre‘s founding fathers, Dashiell Hammett, Raymond Chandler and Jim Thompson. Considering the foundation of North-American detective novel, four works which has Mandrake as its main character will be analyzed : -O Caso F.A?, -Dia dos Namorados?, -Mandrake? and the novel A Grande Arte. Seeking to observe how the author utilizes the hard-boiled tradition and its implications in masculinities issues in order to create a work of enormous critical, stylistic and political potency.
Mito e processos de identificação cultural em órfãos do Eldorado, de Milton Hatoum
(Universidade Federal do Espírito Santo, 2014-10-09) Penalva, Liozina Kauana de Carvalho; Almeida, Júlia Maria Costa de; Nascimento, Jorge Luiz do; Cury, Maria Zilda
In this work we propose a discussion about representations of identities in the Brazilian Amazon, from the novel Órfãos do Eldorado (Orphans of Eldorado) by Milton Hatoum. This narrative is developed in a context of living together with multiple and complex cultures that slide by mobile, unstable and indeterminate boundaries. The proposal is to observe how relationships of identities and differences are established in the complexity of Amazonian cultural, aiming to contribute so that voices, stories and myths buried by western perspective can be considered. Our study rely on the theories of Homi K. Bhabha, Stuart Hall, Jacques Derrida, Walter Mignolo and Ana Pizarro, who have helped to think about the cultural identity, not as a fixed and homogeneous essence, which remains unchanged outside history and culture, but as a process that is in constant dialogue and transformation, especially in the nowadays world where globalization, the media and media technology increasingly require a larger movement of the subject intersection and exchange of experiences and values. Therefore, the main objective of this work is to rethink the processes of identity, moving away from the exotic, savage and uncivilized approach that the travel literature of European chroniclers, mostly conceived us in their reports, as well as other texts that aimed to think Amazonian culture. From the experiences of the narrator of the analyzed work, we elaborated a discussion on how different cultures can apprehend from their differences, get mixed among themselves, sometimes clashing against each other, but also complementing each other.
O alienista, literatura e ciência: olhares sobre a loucura na modernidade
(Universidade Federal do Espírito Santo, 2014-07-18) Matias, Marcos Rocha; Almeida, Júlia Maria Costa de; Soares, Luís Eustáquio; Chiaretto, Marcelo
Partiendo de una perspectiva interdisciplinaria, esta pesquisa tiene como objetivo analisar El Alienista, de Machado de Assis. Para ello, el cuento será leído como una ficcionalización de la sociedad de excepción disciplinaria del siglo XIX. Conceptos criados y desarrollados por los filósofos, Walter Benjamin, Giorgio Agamben y por el francés Michel Foucault. Teniendo como tema la locura y su institucionaliazación, el cuento puede ser leído como una metonimia de la sociedad de normalización disciplinaria y burla de la concepción positivista del siglo XIX, en el que la ciencia se ve como único conocimiento verdadero, capaz de compreender, explicar y resolver los problemas de la naturaleza, de la sociedad y de los individuos.
O reverso do olhar : as representações de si e do outro no confronto entre dois mundos
(Universidade Federal do Espírito Santo, 2015-04-23) Nunes, Sandra dos Reis Abrante; Salgueiro, Wilberth Clayton Ferreira; Freitas, Marcus Vinicius de; Almeida, Júlia Maria Costa de
My research’s goal is to identify and to describe the modes of representation of the self and the Other in the confrontation between the different models of civilization caused by the “discovery” of the Americas. The research hypothesis takes as its starting point the concept of Sartre that the Other is only accessible to the subject through the look that turns itself into knowledge and becomes the representation of the Other and of itself, reciprocally; and that the look of the Other, when focusing on the subject, makes it possible for the one to see itself and to recognize itself in the way the Other sees it, revealing to the one not only what it is, but also, constituting it, affecting the way one seesitself and the world in which it lives. I take Orlandi as a theoretical counterpoint, that being so that, despite the complicated process of the containment of the senses and asphyxia of the subject, which is the silencing mechanism that characterizes the discourse over the Native Americans, it is possible to use this same mechanism to enable observation asan inside and an out, through the details of these processes of meaning, bringing to light what was muted. In my work, within a comparative perspective, I seek at first to verify the view that the European had of themselves and the inhabitants of the continent discovered and so analyze the discursive ways in which the European represents himself and the Native Americans. Then, I try to trace the hidden Native Americans discourse in European discourse and, through this, the view that the Native Americans had of themselves and of the European invader and their way of representing themselves. Finally, I highlight the speech of half-breeds and Native American authors to represent themselves and the Other.
Oswald(ing) : antropofagia, culturas e fronteiras
(Universidade Federal do Espírito Santo, 2012-06-27) Pires, Eloá Carvalho; DePaula, Lillian Virginia Franklin; Almeida, Júlia Maria Costa de; Gomes, Heloisa Toller; Coser, Stelamaris
By considering an approach which relates postcolonial studies and translation theories, this study questions the use of linguistic loans and foreignisms in Oswald de Andrade s poetic productions as translation acts and anti/postcolonial critique. The postcolonial categories presented by researchers as Edward Said, Homi Bhabha and Gayatri Spivak namely, the rupture of frontiers, difference as an enunciative category and temporality in the in-between space and questions on translation metaphors and untranslatability, in dialogue with the rich critique produced on Oswald de Andrade, stimulate the careful analysis of anthropophagy in the literary texts taken as our corpus: O Manifesto Antropófago (2011) and Memórias Sentimentais de João Miramar (2004). The result of the present research stresses the need for considering, within our current postcolonial debates, the anticipation of this anthropophagic reasoning, thus revealing a better understanding of important postcolonial aspects in Brazil.
Outras margens de sentido: a recepção do leitor em duas passagens rosianas
(Universidade Federal do Espírito Santo, 2009-12-14) Silva, Janaina Alencar da; Almeida, Júlia Maria Costa de; Trefzger, Fabíola Simão Padilha; Amaral, Sérgio da Fonseca
The present research investigates the stories Sorôco, his mother, his daughter and The third bank of the river , by Guimarães Rosa, having as mainly focus the reader s role in take these literary texts in. In order to do this, it was constituted a theoretical methodology based on the studies of Wolfgang Iser and his theory about the implicit reader, on Hans Robert Jauss and his hermeneutic and the game of questions and answers, and Umberto Eco and his definitions about the textual non-saids. The analysis of these two stories from the book First Stories permitted to check how Guimarães Rosa s reader acts facing complex and enigmatic texts which deal with features like craziness and lack of communication, texts which get closer on these banks , on which the work of filling the textual void becomes a really complicated task for the implicit reader. It was realized through investigations that Rosa s reader ranges between be frustrated with the results of reading and be happy with the path followed by the characters in their ending. The idea defended by Jauss which says that in literary texts the reader participates on a questions/answers game be clever when analyzing these stories, since there are many questions done by this implicit reader for which the answers sometimes do not appear clearly. It is this inquisitive reader of Guimarães Rosa who is contemplated in this work.
Territorialidades marginais e construção est(ética) : capão pecado e manual prático do ódio, de Ferréz
(Universidade Federal do Espírito Santo, 2012-05-31) Mongim, Luciana Marquesini; Nascimento, Jorge Luiz do; Almeida, Júlia Maria Costa de; Gonçalves, Ana Beatriz Rodrigues
This paper is focused on the comparative study of the novels Capão Pecado (2000) and Manual prático do ódio (2003), from the marginal writer Ferréz, as a way of trying to understand how the periphery of São Paulo, one of the largest cities in Brazil, is comprehended by literary word, as well as by a writer who lives in this marginalized urban area. We, therefore, look for understanding the way how the narrator of his novels, who recognizes himself as part of the periphery he narrates, changes the reality into literary subject and the ways how it focuses on the characters and the space narrated by him. Ferréz" novels present a place of enunciation that no longer silences the represented alterity, but points out the possibility of voice and another representation for the mentioned otherness. His writing lies in the discussion in which the fictional narratives engender strategies of resistance to the assumptions that define who is in or out of the spaces considered common and they are important in the process of understanding yourself and others, because they displace the perception and comprehension of daily life around us by providing representations that generate the production of other senses and meanings about the subjects and the spaces located on the urban edge. Starting from a movement that is in constant tension and conflict with the center and with its own territory, we ask: What do the voices that emerge from the novels say? Or rather, what are the structures and strategies that the author uses in order to speak and to make these voices heard in his literary gesture? Accordingly, in this research, we have made the choice of listening to these voices, or rather, trying to highlight on its sayings (written), the traces that shape the author literary word, more specifically what allow us to enhance some evidences of an attempt to formulate a contemporary marginal poetic.

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